Saint John wrote:Frank brings up the argument of pricing, and while his position is logical I submit to you that the old system of pricing was wrong and that the new one is right. People were probably priced out of buying double CDs they wanted in the past and are now able to buy them because they are affordable. I think a CD should only cost 5 or 6 bucks and Wal Mart and the bands that they market are the pioneers in bringing music prices to where they should have been all along.
Well, Pricing (or a pricing model/methodology) isn't the issue I have here...measurement as a result of pricing is the issue. It's two very distinct and different things.
I agree with you that the old pricing model, cast down from the record labels over the past 30-40 years, is the old antiquated one. And the new profit sharing model is the way to go in the future, with respect to CD sales. However, that's NOT the point.
The point is not whether or not Journey has a right to sell their CD for a lower price....Or to sell 2-3 CDs for a lower price.
The point I am making, is that given the now large disparity of price points between similar product, that the system of measurement is flawed. One band selling 2 CDs at 12 dollars does not provide a level *MEASURING* base to another artist selling one CD at $17.49. If Journey wants to sell their music at $2 a pop...go ahead. Again, my problem is NOT with the price they chose to sell at.
It's with the measurement of sales/success that goes along with it.
In the past, almost all artists were forced to release product through a record label that required major label distribution. The result was that the pricing structure was uniform. With price a relative constant, measuring album sales was simply a linear equation of adding up the units.Price is NO LONGER a relative constant in the factoring of units sold. $6/CD is less than 40% of the competition's price point. That's not a fair measurement of success.
Again, I reiterate. If a band wants to get its product out there and sell it for less, more power to them. But it is not appropriate to measure their 'success' in terms of units sold, to *other* artists that operate (or more significantly, operated) under different scenarios.