Eh, I'm squarely in the middle. There's songs on the record I enjoy, there's songs on the record that make me want to throw it out the window and puke, like that piece of shit, what it takes to win.
My issue with revelation is the shitty way the band has tried to weasel it's way to platinum, and what makes it even tougher to swallow is the masses here that have happily sucked down that fake-platinum koolaid...thinking it's legit. I've said this before and I'll say it again, while other bands pull this shit, it doesn't make it right. I suspect the cost to record disc 1 was 100x as expensive as recording disc 2....if that little. They threw a disc of shitty retreads into the mix just to amplify the effect...and it's sad. Once you remove the second disc of shite, you get a release that's maybe Gold.
I'll also add that once you weigh in the cost factor, and adjust the cheap price of revelation compared to early 80s era journey sales....you get an unfair comparison. While I applaud the fact that Journey sold it's record through walmart at a great price, the fact remains irrefutable that it prevents proper comparability between the sales of perry era CDs. Yet, koolaid drinkers here will try to tell you otherwise...
If revelation was sold at the price of other CD releases from major labels, it wouldn't have even gone 'true gold'...for all we know, it might just have sold enough to match Arrival's sales or worse Generations. Again, I applaud the band (and walmart) for seeing this release through at a better price.....but you can't have your cake and eat it too. You can't justify a better album without taking into account the impact that the cheaper price has had on the sales of the album.
There's comparability issues here with this release...and I still submit that the proper way for RIAA certification to be completed with *true* comparability, irrespective of the band, is to adjust each albums sales figures based on a weighted average....which takes into account number of CD's in the packaging and average cost of the package itself. Then, you will have a balanced, comparable measurement of album sales.
Until then, you'll just have douchenozzles like Irving Assoff and Cavedrunk devising ways to skirt around the rules and inflexibility of the RIAA.