Moderator: Andrew
madsplash wrote:OK, 2 questions. I'm no voice major, so is the famous high note in Wheel In The Sky during the guitar lead sung in falsetto by SP, or is at the top of his full voice range?
I've been listening to it a lot lately and can't tell. His range was so high then, I can't be sure.
Also, on the re-records on Revelation, the note sounds the same. Is that Arnel, a spliced in SP or what? Arnel's voice, although spectacular, doesn't seem to have THAT kind of range on the rest of the record.
No matter our differences, no matter our opinions............. I just friggin' love Journey. SP is the best rock singer of all-time to me, but thank God the Journey continues.
I'd rather it be with SP, but I'd also rather it be with Arnel than not at all. Those songs NEED to be heard by this generation of young people and musicians.
madsplash wrote:OK, 2 questions. I'm no voice major, so is the famous high note in Wheel In The Sky during the guitar lead sung in falsetto by SP, or is at the top of his full voice range?
I've been listening to it a lot lately and can't tell. His range was so high then, I can't be sure.
Also, on the re-records on Revelation, the note sounds the same. Is that Arnel, a spliced in SP or what? Arnel's voice, although spectacular, doesn't seem to have THAT kind of range on the rest of the record.
No matter our differences, no matter our opinions............. I just friggin' love Journey. SP is the best rock singer of all-time to me, but thank God the Journey continues.
I'd rather it be with SP, but I'd also rather it be with Arnel than not at all. Those songs NEED to be heard by this generation of young people and musicians.
Rick wrote:madsplash wrote:OK, 2 questions. I'm no voice major, so is the famous high note in Wheel In The Sky during the guitar lead sung in falsetto by SP, or is at the top of his full voice range?
I've been listening to it a lot lately and can't tell. His range was so high then, I can't be sure.
Also, on the re-records on Revelation, the note sounds the same. Is that Arnel, a spliced in SP or what? Arnel's voice, although spectacular, doesn't seem to have THAT kind of range on the rest of the record.
No matter our differences, no matter our opinions............. I just friggin' love Journey. SP is the best rock singer of all-time to me, but thank God the Journey continues.
I'd rather it be with SP, but I'd also rather it be with Arnel than not at all. Those songs NEED to be heard by this generation of young people and musicians.
I'd say definitely falsetto. Not sure about what they did on Revelation.
I agree with everything else you said.
Gunbot wrote:I think it was done at the top of his range, I think he only used falsetto when he would add little trailer notes live. I think the re-recorded version is an instrument. Arnel is good as a high tenor but that alto range is beyond him I believe. He tends to sound jagged when he tries to sustain the high notes from what I can hear.
Rockindeano wrote:Gunbot wrote:I think it was done at the top of his range, I think he only used falsetto when he would add little trailer notes live. I think the re-recorded version is an instrument. Arnel is good as a high tenor but that alto range is beyond him I believe. He tends to sound jagged when he tries to sustain the high notes from what I can hear.
Are you speaking of SP or AP when you say "top of range?" I say flasetto, because if you go listen whether it is live or Infinity, he "bridges" his way, changes tracks so to speak, to go to falsetto. However, that's not to say he couldn't do that note naturally. He hit the highest note ever recorded with Somethin' to Hide, so he could definitely "do it."
That's is my theory. Fuck it, let's all fire JSS PM's asking his advice.Seriously, everyone reading this, fire JSS off a PM titled, "Perry's WITS. Exactly the same title. Let's fuck with Soto. You can all blame me for in the PM body.
Rick wrote:Rockindeano wrote:Gunbot wrote:I think it was done at the top of his range, I think he only used falsetto when he would add little trailer notes live. I think the re-recorded version is an instrument. Arnel is good as a high tenor but that alto range is beyond him I believe. He tends to sound jagged when he tries to sustain the high notes from what I can hear.
Are you speaking of SP or AP when you say "top of range?" I say flasetto, because if you go listen whether it is live or Infinity, he "bridges" his way, changes tracks so to speak, to go to falsetto. However, that's not to say he couldn't do that note naturally. He hit the highest note ever recorded with Somethin' to Hide, so he could definitely "do it."
That's is my theory. Fuck it, let's all fire JSS PM's asking his advice.Seriously, everyone reading this, fire JSS off a PM titled, "Perry's WITS. Exactly the same title. Let's fuck with Soto. You can all blame me for in the PM body.
Done.
Voyager wrote:Rick wrote:Rockindeano wrote:Gunbot wrote:I think it was done at the top of his range, I think he only used falsetto when he would add little trailer notes live. I think the re-recorded version is an instrument. Arnel is good as a high tenor but that alto range is beyond him I believe. He tends to sound jagged when he tries to sustain the high notes from what I can hear.
Are you speaking of SP or AP when you say "top of range?" I say flasetto, because if you go listen whether it is live or Infinity, he "bridges" his way, changes tracks so to speak, to go to falsetto. However, that's not to say he couldn't do that note naturally. He hit the highest note ever recorded with Somethin' to Hide, so he could definitely "do it."
That's is my theory. Fuck it, let's all fire JSS PM's asking his advice.Seriously, everyone reading this, fire JSS off a PM titled, "Perry's WITS. Exactly the same title. Let's fuck with Soto. You can all blame me for in the PM body.
Done.
I haven't seen JSS on here for a while. He must be staying busy.
Isn't the Christmas Carol gig almost over?
madsplash wrote:I'd rather it be with SP, but I'd also rather it be with Arnel than not at all.
slucero wrote:its falsetto... and a great one...
STH... is .......... (falsetto)"you've got" (normal voice) "something to hide..."
in Sweet and Simple theres a passage near the end that Perry goes ... (normal voice)"..its wha... (falsetto) AAAAAAAAaaaat.. (normal voice) I like to do...."
friggin insane note...
madsplash wrote:OK, 2 questions. I'm no voice major, so is the famous high note in Wheel In The Sky during the guitar lead sung in falsetto by SP, or is at the top of his full voice range?
I've been listening to it a lot lately and can't tell. His range was so high then, I can't be sure.
slucero wrote:its falsetto... and a great one...
STH... is .......... (falsetto)"you've got" (normal voice) "something to hide..."
in Sweet and Simple theres a passage near the end that Perry goes ... (normal voice)"..its wha... (falsetto) AAAAAAAAaaaat.. (normal voice) I like to do...."
friggin insane note...
madsplash wrote:OK, 2 questions. I'm no voice major, so is the famous high note in Wheel In The Sky during the guitar lead sung in falsetto by SP, or is at the top of his full voice range?
I've been listening to it a lot lately and can't tell. His range was so high then, I can't be sure.
Also, on the re-records on Revelation, the note sounds the same. Is that Arnel, a spliced in SP or what? Arnel's voice, although spectacular, doesn't seem to have THAT kind of range on the rest of the record.
No matter our differences, no matter our opinions............. I just friggin' love Journey. SP is the best rock singer of all-time to me, but thank God the Journey continues.
I'd rather it be with SP, but I'd also rather it be with Arnel than not at all. Those songs NEED to be heard by this generation of young people and musicians.
Rick wrote:Rockindeano wrote:Gunbot wrote:I think it was done at the top of his range, I think he only used falsetto when he would add little trailer notes live. I think the re-recorded version is an instrument. Arnel is good as a high tenor but that alto range is beyond him I believe. He tends to sound jagged when he tries to sustain the high notes from what I can hear.
Are you speaking of SP or AP when you say "top of range?" I say flasetto, because if you go listen whether it is live or Infinity, he "bridges" his way, changes tracks so to speak, to go to falsetto. However, that's not to say he couldn't do that note naturally. He hit the highest note ever recorded with Somethin' to Hide, so he could definitely "do it."
That's is my theory. Fuck it, let's all fire JSS PM's asking his advice.Seriously, everyone reading this, fire JSS off a PM titled, "Perry's WITS. Exactly the same title. Let's fuck with Soto. You can all blame me for in the PM body.
Done.
Rick wrote:Rick wrote:Rockindeano wrote:Gunbot wrote:I think it was done at the top of his range, I think he only used falsetto when he would add little trailer notes live. I think the re-recorded version is an instrument. Arnel is good as a high tenor but that alto range is beyond him I believe. He tends to sound jagged when he tries to sustain the high notes from what I can hear.
Are you speaking of SP or AP when you say "top of range?" I say flasetto, because if you go listen whether it is live or Infinity, he "bridges" his way, changes tracks so to speak, to go to falsetto. However, that's not to say he couldn't do that note naturally. He hit the highest note ever recorded with Somethin' to Hide, so he could definitely "do it."
That's is my theory. Fuck it, let's all fire JSS PM's asking his advice.Seriously, everyone reading this, fire JSS off a PM titled, "Perry's WITS. Exactly the same title. Let's fuck with Soto. You can all blame me for in the PM body.
Done.
Falsetto.
\Granny wrote:I have no idea what any of you are referring to...I know nothing about the technical end of music...I just listen to what I like
and SP's voice is mind-blowing....the note you are all referring to is just magic to listen to...who cares whether it be falsetto or natural voice...there will be no other like it in our lifetime..
However, his other ranges are jusst as beautiful and maybe, just maybe, we might get to hear it again...high or low!!!!!
I actually prefer the lower ranges, like TBF..
NO STONES PLEASE, they hurt.
Voyager wrote:Rick wrote:Rockindeano wrote:Gunbot wrote:I think it was done at the top of his range, I think he only used falsetto when he would add little trailer notes live. I think the re-recorded version is an instrument. Arnel is good as a high tenor but that alto range is beyond him I believe. He tends to sound jagged when he tries to sustain the high notes from what I can hear.
Are you speaking of SP or AP when you say "top of range?" I say flasetto, because if you go listen whether it is live or Infinity, he "bridges" his way, changes tracks so to speak, to go to falsetto. However, that's not to say he couldn't do that note naturally. He hit the highest note ever recorded with Somethin' to Hide, so he could definitely "do it."
That's is my theory. Fuck it, let's all fire JSS PM's asking his advice.Seriously, everyone reading this, fire JSS off a PM titled, "Perry's WITS. Exactly the same title. Let's fuck with Soto. You can all blame me for in the PM body.
Done.
I haven't seen JSS on here for a while. He must be staying busy.
Granny wrote:I have no idea what any of you are referring to...I know nothing about the technical end of music...I just listen to what I like
and SP's voice is mind-blowing....the note you are all referring to is just magic to listen to...who cares whether it be falsetto or natural voice...there will be no other like it in our lifetime..
However, his other ranges are jusst as beautiful and maybe, just maybe, we might get to hear it again...high or low!!!!!
I actually prefer the lower ranges, like TBF..
NO STONES PLEASE, they hurt.
jrnyjunky wrote:Granny wrote:I have no idea what any of you are referring to...I know nothing about the technical end of music...I just listen to what I like
and SP's voice is mind-blowing....the note you are all referring to is just magic to listen to...who cares whether it be falsetto or natural voice...there will be no other like it in our lifetime..
However, his other ranges are jusst as beautiful and maybe, just maybe, we might get to hear it again...high or low!!!!!
I actually prefer the lower ranges, like TBF..
NO STONES PLEASE, they hurt.
I totally agree with you. I love the rich, soulfullness of his mature voice.
annie89509 wrote:jrnyjunky wrote:Granny wrote:I have no idea what any of you are referring to...I know nothing about the technical end of music...I just listen to what I like
and SP's voice is mind-blowing....the note you are all referring to is just magic to listen to...who cares whether it be falsetto or natural voice...there will be no other like it in our lifetime..
However, his other ranges are jusst as beautiful and maybe, just maybe, we might get to hear it again...high or low!!!!!
I actually prefer the lower ranges, like TBF..
NO STONES PLEASE, they hurt.
I totally agree with you. I love the rich, soulfullness of his mature voice.
I, as well. The early voice, while technically perfect, at times made him sound girlish. He caught a lot of slack from critics for that ("aka the duck," "baby seal being clubbed to death"). His deep voice, with a bit of raspiness, sounds very manly and sexy to me.
mdaemon wrote:annie89509 wrote:jrnyjunky wrote:Granny wrote:I have no idea what any of you are referring to...I know nothing about the technical end of music...I just listen to what I like
and SP's voice is mind-blowing....the note you are all referring to is just magic to listen to...who cares whether it be falsetto or natural voice...there will be no other like it in our lifetime..
However, his other ranges are jusst as beautiful and maybe, just maybe, we might get to hear it again...high or low!!!!!
I actually prefer the lower ranges, like TBF..
NO STONES PLEASE, they hurt.
I totally agree with you. I love the rich, soulfullness of his mature voice.
I, as well. The early voice, while technically perfect, at times made him sound girlish. He caught a lot of slack from critics for that ("aka the duck," "baby seal being clubbed to death"). His deep voice, with a bit of raspiness, sounds very manly and sexy to me.
Didn't know you like "raspy". Check out the new dude; he's got a raspier voice than Perry
annie89509 wrote:
SP's singing reminded me a lot of Rod Stewart (whom I was a big fan of). Of course .... now, I don't think those 2 sound anything alike.
slucero wrote:annie89509 wrote:
SP's singing reminded me a lot of Rod Stewart (whom I was a big fan of). Of course .... now, I don't think those 2 sound anything alike.
that would make sense.... both SP and Rod were big Sam Cooke fans...
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