Moderator: Andrew
Gideon wrote:Now we're talking.
Trial By Fire? Easily, in my honest opinion, the brightest spot in Journey's career. Songwriting and musicianship at its peak, with some excellent harmonies and emotional performances from Perry.
"If He Should Break Your Heart" = fantastic.
mikemarrs wrote:this 1996 album hovered right around the top of the album charts when released in 1996 after the band took a decade between studio albums.this one definitely is a lighter effort compared to past releases.all of the members from the best selling era are back together and sadly there was no tour and soon afterwards perry left for good.this is the last release with him on vocals.
some pretty good ballads on this one.
froy wrote:mikemarrs wrote:this 1996 album hovered right around the top of the album charts when released in 1996 after the band took a decade between studio albums.this one definitely is a lighter effort compared to past releases.all of the members from the best selling era are back together and sadly there was no tour and soon afterwards perry left for good.this is the last release with him on vocals.
some pretty good ballads on this one.
The most complete JRNY cd and there best
Easy To Fall killer
Colors of The Spirit blazes
When You Love a Women sweet.
Its Just The Rain
Message of Love
Still She Cries
Castles Burning Dark side
all great tunes
Gideon wrote:Now we're talking.
Trial By Fire? Easily, in my honest opinion, the brightest spot in Journey's career. Songwriting and musicianship at its peak, with some excellent harmonies and emotional performances from Perry.
"If He Should Break Your Heart" = fantastic.
Saint John wrote:For the most part this album is shit. When You Love A Woman and If He Should Break Your Heart are the only 2 really good tracks, leaving it with a few tolerable ones (Forever In Blue and Message Of Love), and the rest being vocal rubbish. This album showcases that Perry's decision to go into a softer direction with ROR was out of necessity and not creativity. His voice was easily its weakest during this album and the album is lackluster at best. While it's their finest hour musically, it's also the complete opposite vocally. The listener is left with a hollow, thin sounding Perry using studio magic to try and compensate for incredible musicianship. And he comes up way short.
Ehwmatt wrote:Love the production on this album, Neal has some awesome moments (shit, everyone in the band sans Ross does), and the layered harmonies are among the best. A good effort, undeserving of the extreme derision I've seen it get. It IS a bit ballad-heavy and it is definitely a mood album. If you wanna roll the windows down and roll down the highway on a hot summer day, you're probably better off throwing on Escape or Frontiers, but when you're in the mood for this style it's GREAT.
I don't know how Colors of the Spirit stayed but I Can See It In Your Eyes got the axe. The only cool part about Colors is Neal's guitar tone on the opening chords. Really neat clean tone.
Saint John wrote:For the most part this album is shit. When You Love A Woman and If He Should Break Your Heart are the only 2 really good tracks, leaving it with a few tolerable ones (Forever In Blue and Message Of Love), and the rest being vocal rubbish. This album showcases that Perry's decision to go into a softer direction with ROR was out of necessity and not creativity. His voice was easily its weakest during this album and the album is lackluster at best. While it's their finest hour musically, it's also the complete opposite vocally. The listener is left with a hollow, thin sounding Perry using studio magic to try and compensate for incredible musicianship. And he comes up way short.
Peartree12249 wrote:it's music written and performed by men in their prime.
Peartree12249 wrote: If Perry's voice is indeed weaker (although I disagree) it's far richer in emotive power and nuance.
Peartree12249 wrote: Although, I will grant that if you're looking for a kick-ass rock album, this is not the one for you.![]()
mikemarrs wrote:this 1996 album hovered right around the top of the album charts when released in 1996 after the band took a decade between studio albums.this one definitely is a lighter effort compared to past releases.all of the members from the best selling era are back together and sadly there was no tour and soon afterwards perry left for good.this is the last release with him on vocals.
some pretty good ballads on this one.
Saint John wrote:Peartree12249 wrote:it's music written and performed by men in their prime.
Except for the vocals. And if you think that Perry has more emotive power on this album than Escape or Frontiers then I suggest you go listen to Mother, Father, Still They Ride, Faithfully and/or After The Fall.Peartree12249 wrote: If Perry's voice is indeed weaker (although I disagree) it's far richer in emotive power and nuance.
While the latter is certainly subjective, the former isn't. It is weaker. Period.
Peartree12249 wrote: Although, I will grant that if you're looking for a kick-ass rock album, this is not the one for you.![]()
Thanks for that nugget of information, Captain Obvious.
Saint John wrote:That made me laugh. Thanks.Peartree12249 wrote:Your welcome Major Bummer
Saint John wrote:For the most part this album is shit. When You Love A Woman and If He Should Break Your Heart are the only 2 really good tracks, leaving it with a few tolerable ones (Forever In Blue and Message Of Love), and the rest being vocal rubbish. This album showcases that Perry's decision to go into a softer direction with ROR was out of necessity and not creativity. His voice was easily its weakest during this album and the album is lackluster at best. While it's their finest hour musically, it's also the complete opposite vocally. The listener is left with a hollow, thin sounding Perry using studio magic to try and compensate for incredible musicianship. And he comes up way short.
StoneCold wrote:Perry's swan song. 'nuff said.
Gideon wrote:StoneCold wrote:Perry's swan song. 'nuff said.
That was ROR, for the simple fact that on TBF, the rest of the band actually got to play their instruments.
StoneCold wrote:Gideon wrote:StoneCold wrote:Perry's swan song. 'nuff said.
That was ROR, for the simple fact that on TBF, the rest of the band actually got to play their instruments.
Wikipedia:
Swan song has become an idiom referring to a final theatrical or dramatic appearance, or any final work or accomplishment. It generally carries the connotation that the performer is aware that this is the last performance of his or her lifetime, and is expending everything in one magnificent final effort.
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