Moderator: Andrew
journey062393 wrote:Just wanted to tell you about my Journey Friday. I was on my way to school in the middle of the afternoon(to substitute teach for a 6th grade class) and right before i get there I hear Wheel in the Sky on the radio. So far a good day! Then I'm giving these kids a spelling test when quietly i hear one of the girls sing "Just a small town girl....." So I said "what did you just say" and she said "nothing", for fear of getting in trouble. So I asked again, because I was certain she was singing DSB, and the boy next to her said "she was singing DSB.....she always sings DSB". And then another boy across the room said, "yeah we really like that song. We love Journey". So I instantly took out my phone and showed them all my Vegas concert pics and instantly became the coolest teacher ever! Or at least for that day!
So then I'm at a fish fry later that day and there is a radio in the background. I wasn't even paying attention to it, but all of a sudden I hear the opening notes of "After All These Years". So as soon as it starts, the woman serving the fish said " I just love this song". Which of course, started an interesting conversation between us about the last 11 years of the band.
One last thing, about 2 weeks ago, I was volunteering at the school's Mother/Son dance and the last song they played was DSB. A large group of about 10-12 8th grade boys/girls got together in a tight circle and started LOUDLY singing the song. Today's youth is making me proud!
Monker wrote:journey062393 wrote:Just wanted to tell you about my Journey Friday. I was on my way to school in the middle of the afternoon(to substitute teach for a 6th grade class) and right before i get there I hear Wheel in the Sky on the radio. So far a good day! Then I'm giving these kids a spelling test when quietly i hear one of the girls sing "Just a small town girl....." So I said "what did you just say" and she said "nothing", for fear of getting in trouble. So I asked again, because I was certain she was singing DSB, and the boy next to her said "she was singing DSB.....she always sings DSB". And then another boy across the room said, "yeah we really like that song. We love Journey". So I instantly took out my phone and showed them all my Vegas concert pics and instantly became the coolest teacher ever! Or at least for that day!
So then I'm at a fish fry later that day and there is a radio in the background. I wasn't even paying attention to it, but all of a sudden I hear the opening notes of "After All These Years". So as soon as it starts, the woman serving the fish said " I just love this song". Which of course, started an interesting conversation between us about the last 11 years of the band.
One last thing, about 2 weeks ago, I was volunteering at the school's Mother/Son dance and the last song they played was DSB. A large group of about 10-12 8th grade boys/girls got together in a tight circle and started LOUDLY singing the song. Today's youth is making me proud!
Well, at least they are not like my kid who sings:
Domo Arigoto, big blob of paydough
His parts come from a can
I made him with my hands
He is a molded man!
StoneCold wrote:Good thread.
As with the Beatles, Stones and Elvis, this band will be remembered for a catalog good enough to cross generational lines.
While REO's Hi Infidelity had songs of this caliber, they failed to continue the momentum which is why few teenagers know who they are.
Pineda's publicity certainly helped but DSB as a flagship song is the entry point for all new fans it seems.
strangegrey wrote:StoneCold wrote:Good thread.
As with the Beatles, Stones and Elvis, this band will be remembered for a catalog good enough to cross generational lines.
While REO's Hi Infidelity had songs of this caliber, they failed to continue the momentum which is why few teenagers know who they are.
Pineda's publicity certainly helped but DSB as a flagship song is the entry point for all new fans it seems.
I'll agree with some of this...but lets be realistic here. Pineda is not the reason they're able to reach young fans right now. That's laughable. It's the sopranos, ipods and a healthy dose of good music writen by perry, cain and schlong. The songs are what's bringing the longevity, not the various bands that on most accounts are 3/5 original or less (and that includes REO, Styx and Journey among others)...
The songs are what does it...*not* what sound alikes they have touring....not until you can point to a significant amount of 6th graders at the shows to offset the dwindling mid-aged fan base. It's just not a plausable explanation.
Saint John wrote:Good points, Frank, but let me add something. I think Neal and Co. picking up in 1998 and hitting the road has allowed those "middle-aged fans" the opportunity to bring their kids to shows. I saw Journey with Augeri between 20 and 30 times, 3 shows with Soto and 8 with Pineda so far and it always amazes me how many parents still bring their children along. But you're right, most of the kids that do know the songs know them because of the music they grew up listening to because of their parents. I'd say it's the music first and a combination of The Sopranos, Laguna Beach, ipods, The Simpsons, Monster, etc, and Journey still out there playing their music live, which allows the parent/children concerts to still occur. GH has really exploded in sales over the last decade. That has to be due to, in part, the guys still playing the music live.
strangegrey wrote:StoneCold wrote:Good thread.
As with the Beatles, Stones and Elvis, this band will be remembered for a catalog good enough to cross generational lines.
While REO's Hi Infidelity had songs of this caliber, they failed to continue the momentum which is why few teenagers know who they are.
Pineda's publicity certainly helped but DSB as a flagship song is the entry point for all new fans it seems.
I'll agree with some of this...but lets be realistic here. Pineda is not the reason they're able to reach young fans right now. That's laughable. It's the sopranos, ipods and a healthy dose of good music writen by perry, cain and schlong. The songs are what's bringing the longevity, not the various bands that on most accounts are 3/5 original or less (and that includes REO, Styx and Journey among others)...
The songs are what does it...*not* what sound alikes they have touring....not until you can point to a significant amount of 6th graders at the shows to offset the dwindling mid-aged fan base. It's just not a plausable explanation.
StoneCold wrote:A friend of mine told me her mom (65+ year old) saw this new singer on CBS morning show and said she liked him ("he sure sounded like the 'old singer'"). Ellen's show is watched by a lot of stay at home mom's with pre-schoolers hanging around.
Everytime I smell fish, i think of After All These Yearsjourney062393 wrote:Just wanted to tell you about my Journey Friday. I was on my way to school in the middle of the afternoon(to substitute teach for a 6th grade class) and right before i get there I hear Wheel in the Sky on the radio. So far a good day! Then I'm giving these kids a spelling test when quietly i hear one of the girls sing "Just a small town girl....." So I said "what did you just say" and she said "nothing", for fear of getting in trouble. So I asked again, because I was certain she was singing DSB, and the boy next to her said "she was singing DSB.....she always sings DSB". And then another boy across the room said, "yeah we really like that song. We love Journey". So I instantly took out my phone and showed them all my Vegas concert pics and instantly became the coolest teacher ever! Or at least for that day!
So then I'm at a fish fry later that day and there is a radio in the background. I wasn't even paying attention to it, but all of a sudden I hear the opening notes of "After All These Years". So as soon as it starts, the woman serving the fish said " I just love this song". Which of course, started an interesting conversation between us about the last 11 years of the band.
One last thing, about 2 weeks ago, I was volunteering at the school's Mother/Son dance and the last song they played was DSB. A large group of about 10-12 8th grade boys/girls got together in a tight circle and started LOUDLY singing the song. Today's youth is making me proud!
strangegrey wrote:StoneCold wrote:A friend of mine told me her mom (65+ year old) saw this new singer on CBS morning show and said she liked him ("he sure sounded like the 'old singer'"). Ellen's show is watched by a lot of stay at home mom's with pre-schoolers hanging around.
Forgive me, so foolish of me. A friends mom saw him on TV.
That changes everything!![]()
He's really all that and more!![]()
Do you realize how fucking dumb that sounds?
StoneCold wrote:Its a random example of publicity getting word of mouth interest rolling. Isn't that what the "publicity" you said is required is supposed to do?
In my original post, credit to Pineda is minimal but the publicity has certainly helped the band. I don't see why you want to keep denying that.
strangegrey wrote:StoneCold wrote:Good thread.
As with the Beatles, Stones and Elvis, this band will be remembered for a catalog good enough to cross generational lines.
While REO's Hi Infidelity had songs of this caliber, they failed to continue the momentum which is why few teenagers know who they are.
Pineda's publicity certainly helped but DSB as a flagship song is the entry point for all new fans it seems.
I'll agree with some of this...but lets be realistic here. Pineda is not the reason they're able to reach young fans right now. That's laughable. It's the sopranos, ipods and a healthy dose of good music writen by perry, cain and schlong. The songs are what's bringing the longevity, not the various bands that on most accounts are 3/5 original or less (and that includes REO, Styx and Journey among others)...
The songs are what does it...*not* what sound alikes they have touring....not until you can point to a significant amount of 6th graders at the shows to offset the dwindling mid-aged fan base. It's just not a plausable explanation.
strangegrey wrote: The shameful act of trying to capitalize on the economics/nationality of this may have resonated with some of the race-bait suceptable out there...but otherwise, musically...no different, one fucking iotta.
jrny84 wrote:strangegrey wrote:StoneCold wrote:Good thread.
As with the Beatles, Stones and Elvis, this band will be remembered for a catalog good enough to cross generational lines.
While REO's Hi Infidelity had songs of this caliber, they failed to continue the momentum which is why few teenagers know who they are.
Pineda's publicity certainly helped but DSB as a flagship song is the entry point for all new fans it seems.
I'll agree with some of this...but lets be realistic here. Pineda is not the reason they're able to reach young fans right now. That's laughable. It's the sopranos, ipods and a healthy dose of good music writen by perry, cain and schlong. The songs are what's bringing the longevity, not the various bands that on most accounts are 3/5 original or less (and that includes REO, Styx and Journey among others)...
The songs are what does it...*not* what sound alikes they have touring....not until you can point to a significant amount of 6th graders at the shows to offset the dwindling mid-aged fan base. It's just not a plausable explanation.
I totally agree, I dont think Journey's increased popularity in the last few years has anything to do with the new singer. Journey has had a huge surge of people recognizing them and using their music in the last few years. The white sox used their song, the sopranos thing, and it seems like more and more people are getting exposed to it. There are alot of people in the film industry and television side of things that are huge fans and are using their music. With all that Journey has found a whole new fan base and that definetly created lots of interest in their new album. While Arnel Pineda has a great voice, as big as Journey was and is, and how legendary Steve Perry is...Arnel i think will always be looked at as the guy who is imitating Perry "the perry soundalike".
journey062393 I can relate to your experience with seeing young people interested and liking Journey. I used to sub and I was in a computer class where they could listen to music. Well Journey came on the radio and it was like mass excitement! The kids not only knew who they were, they also knew Steve Perry was the original vocalist, and they knew the songs and the words. Its really awesome to see Journey have such a legacy and to reach new people.
strangegrey wrote:Honestly, I dont think Pineda has helped musically any more or less than Augeri or JSS could have.
strangegrey wrote:I do agree that your original post subdued his contributions...but seriously. I would put the use of DSB in the last Sopranos episode on a FAR higher responsibility to increased awareness to Journey than anything that Pineda has done (or the race-baiting shitbags that tried to parlay this into something more than what it was)....
strangegrey wrote:The guy is a great singer....a nice, humble kid...and he's done a good job emulating perry....but to give him credit that he's out there 'creating' something out of thin air...or doing something magical, beyond compare...and expanding the reach of this band with his voice....eh, that doesn't fly any farther than your average female journey fan.
Saint John wrote:strangegrey wrote: The shameful act of trying to capitalize on the economics/nationality of this may have resonated with some of the race-bait suceptable out there...but otherwise, musically...no different, one fucking iotta.
This is bullshit, Frank. Journey didn't try to capitalize on anything. They took a chance, a fucking very big one. Actually, Neal was the one that demanded Pineda be "the guy." It's pretty well known that Cain wanted Hunsicker. Jeremey would have been the far safer choice. The white guy with perfect diction that looks and sounds far more like Perry than an Asian guy with, at times, an obvious accent. What Journey did could have blown up in their faces very easily. There was no guarantee that Pineda would be accepted. He could have easily been rejected and made Journey the laughing stock of music.
Now I'm not gonna deny that the liberal media didn't take the feel good "rags to riches" story of a guy thousands of miles away in a poverty stricken country and run with it...they did. But people that pay a lot of money at concerts don't give a shit about that. They care about what the guy brings to the stage, and the reviews, cheers, whispers at shows and the words of Ann Wilson and others have been overwhelmingly positive. Whether or not you want to admit it this guy dwarfs Augeri and Soto vocally and has made a far bigger contribution than Augeri ever did or Soto ever would have. The Soto part is part specualtion, but mostly common sense. He didn't sound remotely "Journey." That said, Perry was miles ahead of Pineda and will always be "the voice" of Journey and nothing will ever change that. And Arnel knows this. I just wish his fans would listen to him when he says the exact same thing. He's merely "celebrating the legacy." But he's putting out some pretty good music in the mean time.
Saint John wrote:strangegrey wrote: The shameful act of trying to capitalize on the economics/nationality of this may have resonated with some of the race-bait suceptable out there...but otherwise, musically...no different, one fucking iotta.
This is bullshit, Frank. Journey didn't try to capitalize on anything. They took a chance, a fucking very big one.
strangegrey wrote:Saint John wrote:strangegrey wrote: The shameful act of trying to capitalize on the economics/nationality of this may have resonated with some of the race-bait suceptable out there...but otherwise, musically...no different, one fucking iotta.
This is bullshit, Frank. Journey didn't try to capitalize on anything. They took a chance, a fucking very big one.
Bullshit Dan. They did their research...they new there was a fan base to tap that wasn't jaded here in the states. If you think they didn't do the market research, you're gullable. It wasn't a chance...it was far more of a sure thing than Hunsicker or anyone else....I'd clean your shoes, you're stepping in it...
Saint John wrote:strangegrey wrote:Saint John wrote:strangegrey wrote: The shameful act of trying to capitalize on the economics/nationality of this may have resonated with some of the race-bait suceptable out there...but otherwise, musically...no different, one fucking iotta.
This is bullshit, Frank. Journey didn't try to capitalize on anything. They took a chance, a fucking very big one.
Bullshit Dan. They did their research...they new there was a fan base to tap that wasn't jaded here in the states. If you think they didn't do the market research, you're gullable. It wasn't a chance...it was far more of a sure thing than Hunsicker or anyone else....I'd clean your shoes, you're stepping in it...
Then why did not one person here ever say that this was a great move...including you? You're Monday morning quarterbacking, dude. And what "market research" are you referring to? The 2-4 thousand Pinoys at each show? Had he been roundly rejected by Journey's mainstream concert audience those people wouldn't have made a damned bit of difference. They took a big chance and you know it.
StocktontoMalone wrote:A decision's value judgment is independent from the results
StocktontoMalone wrote: .....riding over Niagra Falls in a barrel is loopy no matter if you survive or not.....
StocktontoMalone wrote:Hiring Arnel does nothing but give people another reason to go to a journey show.....
Users browsing this forum: No registered users and 19 guests