New Music Tuesday: 'Rock of Ages' revives big hair and bigger guitar solos
Read more: http://www.nydailynews.com/entertainmen ... z0PZspPdl7
Time may not heal all wounds, but it at least it can take the sting out of most.
Proof lies in the cast album of "Rock of Ages," a semi-snarky look back at the crime-against-humanity that was hair-metal.
Set on the Sunset Strip in the ‘80s, "Rock of Ages," brings us back to what the play’s narrator calls "a sexier time," though many of us remember it in a less erotic light. It all depends on your tolerance for spandex, hair spray, and rouge.
On the other hand, listening to songs originally cut by the way lame likes of Bon Jovi, Extreme, and Poison, does reveal a covert catchiness to many of their pieces—aided in no small part by their divorce from their original perpetrators.
"Rock musicals" usually make everything they touch sound starchy, given the fussy enunciations of Broadway actors. But these songs actually benefit from the arch re-dos. How wonderful to hear anyone but the squealing Jon Bon Jovi or the keening Steve Perry sing their goofiest hits.
More, since these particular pieces never had any credibility to begin with, there’s nothing sacred in them to protect. They can only gain from a context that treats them with the raised eyebrows and sardonic winks they’ve long deserved.
On an academic level, the contrast between the original recordings and the covers offers an ideal object lesson in the difference between kitsch and camp. The former (embodied by the original recordings) flummoxes into stupidity. The latter (exemplified by the show’s re-dos) sails into stupidity by choice.
In terms of what songs the creators chose, nearly all may date from the ‘80s, but most come by way of leftover ‘70s corporate-rock huns rather than textbook hair-metal bands. Compositions by the alarming likes of Styx, Foreigner, and Journey dominate. From those acts, "Ages" drew as many wimpy power ballads as air-guitar-loving rockers.
As it turns out, the true drawback to "Ages" has nothing to do with music at all. Dialogue from the script keeps interrupting the songs, ruining any sense of flow and baffling anyone who hasn’t seen the show. It can be as annoying as a DJ who won’t stop talking over the song.
Then again, the notion that we’d want to hear these particular songs again at all comes as something of a surprise. Even the most unforgiving critics will have to admit—if through gnashed teeth—that Whitesnake’s "Here I Go Again," or Night Ranger’s "Sister Christian" boast tunes you can hum. As for the show’s big finale—Journey’s "Don’t Stop Believing"—while "Ages" may not have the best re-think on it (the TV show "Glee" does), the song itself has a chorus soaring enough to make everyone want to sing along.
Just don’t tell anyone I did.
jfarber@nydailynews.com
FYI....Keening means "A mournful, wailing sound" I looked it up!