Discuss.......

Moderator: Andrew
G.I.Jim wrote:portland wrote:Michigan Girl wrote:There is a daddy in this one ...and a whole damn family, if I remember correctly!!![]()
Yes MG there is!!! I will never live "it" down!!!
Nope.
portland wrote:G.I.Jim wrote:portland wrote:Michigan Girl wrote:There is a daddy in this one ...and a whole damn family, if I remember correctly!!![]()
Yes MG there is!!! I will never live "it" down!!!
Nope.
Could ya give something about the song??? Oh forget it!!
G.I.Jim wrote:portland wrote:G.I.Jim wrote:portland wrote:Michigan Girl wrote:There is a daddy in this one ...and a whole damn family, if I remember correctly!!![]()
Yes MG there is!!! I will never live "it" down!!!
Nope.
Could ya give something about the song??? Oh forget it!!
Other than the fact that when I played it with Frontiers, Jim Gober used to call it "Mother Fucker" because it would clear a room out really quickly!![]()
It's one of the best, haunting, emotionally driven songs they've ever written and to me is in their top 5 songs. How's that?
annie89509 wrote:Just for the sheer difficulty in singing it and the total band's operatic performance pulling it off in a live musical setting, I have to agree with GIJim. But, truthfully, I didn't think much of the song when I first heard it on the Escape record...didn't care much for SP's screaming.
I was more moved by the touching subtlety of OA. Tomulator described this song perfectly in another thread, the begining lyrics "your heartbeat against mine" and the way SP emoted throughout the song pulled on your heart strings. I still get choked up whenever I hear the song -- SP's version.
lights1961 wrote:GREAT version of Mother Father, filled with emotion... probably one of Journeys best LIVE performances EVER.
Take it 29 years later...and Deen does a great job with the song live.
lights1961 wrote:GREAT version of Mother Father, filled with emotion... probably one of Journeys best LIVE performances EVER.
Take it 29 years later...and Deen does a great job with the song live.
ChildInTime wrote:^
Really? I thought he sounded a bit odd on Escape. Still excellent, but with some quirks. It really did sound like he was in the middle of a transition between the infinity/departure voice and the Frontiers/etc. voice.
Saint John wrote:lights1961 wrote:GREAT version of Mother Father, filled with emotion... probably one of Journeys best LIVE performances EVER.
Take it 29 years later...and Deen does a great job with the song live.
Deen also does it with perfect pitch, perhaps better control, but he doesn't project nearly as powerfully. Perry can't be touched on this one ... by anyone.
Don wrote:Really. The vocals on Escape were pop/rock at it's best. Perry had the clean tenor but now with added bass while losing a bit of the piercing highs. Not so many vocal acrobatics but not yet to the smoker's voice that was on it's way in with Frontiers.
ChildInTime wrote:Yes (to Don/Steveo). I think he sounded better on Frontiers and on Departure. Escape, like I said, seemed to be a transitional time vocally. Some of the high-stuff wasn't as clean/easily accomplished as it was before then, and he hadn't mastered the whole Frontiers sound on the lower end yet.
Don wrote:ChildInTime wrote:Yes (to Don/Steveo). I think he sounded better on Frontiers and on Departure. Escape, like I said, seemed to be a transitional time vocally. Some of the high-stuff wasn't as clean/easily accomplished as it was before then, and he hadn't mastered the whole Frontiers sound on the lower end yet.
You weren't implying that I was Steveo where you? Please, you don't see me running around wearing Arnel's jock, do you?
Don wrote:ChildInTime wrote:Yes (to Don/Steveo). I think he sounded better on Frontiers and on Departure. Escape, like I said, seemed to be a transitional time vocally. Some of the high-stuff wasn't as clean/easily accomplished as it was before then, and he hadn't mastered the whole Frontiers sound on the lower end yet.
You weren't implying that I was Steveo where you? Please, you don't see me running around wearing Arnel's jock, do you?
Since 78 wrote:Don wrote:ChildInTime wrote:Yes (to Don/Steveo). I think he sounded better on Frontiers and on Departure. Escape, like I said, seemed to be a transitional time vocally. Some of the high-stuff wasn't as clean/easily accomplished as it was before then, and he hadn't mastered the whole Frontiers sound on the lower end yet.
You weren't implying that I was Steveo where you? Please, you don't see me running around wearing Arnel's jock, do you?
I think he/she meant me.
portland wrote:Since 78 wrote:Don wrote:ChildInTime wrote:Yes (to Don/Steveo). I think he sounded better on Frontiers and on Departure. Escape, like I said, seemed to be a transitional time vocally. Some of the high-stuff wasn't as clean/easily accomplished as it was before then, and he hadn't mastered the whole Frontiers sound on the lower end yet.
You weren't implying that I was Steveo where you? Please, you don't see me running around wearing Arnel's jock, do you?
I think he/she meant me.
Well you are much more qualified for the job!!!
Since 78 wrote:portland wrote:Since 78 wrote:Don wrote:ChildInTime wrote:Yes (to Don/Steveo). I think he sounded better on Frontiers and on Departure. Escape, like I said, seemed to be a transitional time vocally. Some of the high-stuff wasn't as clean/easily accomplished as it was before then, and he hadn't mastered the whole Frontiers sound on the lower end yet.
You weren't implying that I was Steveo where you? Please, you don't see me running around wearing Arnel's jock, do you?
I think he/she meant me.
Well you are much more qualified for the job!!!
Not quite sure how to take that.
Users browsing this forum: Google [Bot] and 21 guests