S2M wrote:Len Wiseman is directing the Total Recall reboot....he directed 2 of the Underworlds, and Live Free or Die Hard...
Underworld??!!! *Writes another movie off*
Moderator: Andrew
kgdjpubs wrote:I still think Shanghai Noon was better than any of the Rush Hour films, but they were watchable because of the Chris Tucker/Jackie Chan chemistry.
kgdjpubs wrote:verslibre wrote:and Zack's Dawn Of The Dead remake.
Haven't seen that, but both 300 and Watchmen were thoroughly indulgent movies that came across as a kid in a candy shop without anyone telling where to stop. He has a good eye for visuals, but couldn't find one ounce of emotion in either movie.
kgdjpubs wrote:Singer seems to do pretty good at getting good performances out of his actors.
verslibre wrote:kgdjpubs wrote:I still think Shanghai Noon was better than any of the Rush Hour films, but they were watchable because of the Chris Tucker/Jackie Chan chemistry.
Both franchises are great (well, the second Shanghai dropped the ball), and it's a way of enjoying Jackie Chan with two distinctly funny — very funny — guys. Chris and Owen are both hilarious and provide different platforms for Jackie to bounce off. I saw the first Rush Hour so many times I lost count.
verslibre wrote:kgdjpubs wrote:verslibre wrote:and Zack's Dawn Of The Dead remake.
Haven't seen that, but both 300 and Watchmen were thoroughly indulgent movies that came across as a kid in a candy shop without anyone telling where to stop. He has a good eye for visuals, but couldn't find one ounce of emotion in either movie.
300 sucked. I don't like the comic. I don't like the movie. I don't like the look of the movie, or the FX, or anything. It's like Avatar — needlessly over-the-top. Over-the-top is good, but please, let there be a point.
verslibre wrote:Watchmen, OTOH, is very solid, even if you're not a fan of the comic (very hard to adapt that one, too). If you glossed over the emotion in Watchmen, I'd say it's your own shortcomings that somehow contributed to that.![]()
kgdjpubs wrote:Yes, the 2nd Shanghai dropped a bit. The difference between the franchises is that Shanghai #1 was Jackie doing Jackie....and Rush Hour was Jackie backing up Chris Tucker. Both worked for different reasons.
kgdjpubs wrote:I don't know. The same things that turned me off 300 reared their head watching Watchmen. It was better, but still hit me the wrong way. Snyder just strikes me as...immature for a director. There is some talent, but he doesn't know when to say enough is enough. He seems to be more interested in overdone sex and violence than telling a good story. A hard R-rated film just for sake of making a hard R-rated film rarely works--and I'm struggling to think of a case where it does work. Maybe I'm out-of-touch with it, but he seems to treat plot and character development as an afterthought, as opposed to the heart and soul that drives the action.
verslibre wrote:kgdjpubs wrote:Yes, the 2nd Shanghai dropped a bit. The difference between the franchises is that Shanghai #1 was Jackie doing Jackie....and Rush Hour was Jackie backing up Chris Tucker. Both worked for different reasons.
How was Jackie not backing up Owen, in that case? We'll have to agree to disagree. Jackie was very much himself in both scenarios. They're just great movies, though Shanghai was a touch more serious (nothing wrong with that).
verslibre wrote:kgdjpubs wrote:I don't know. The same things that turned me off 300 reared their head watching Watchmen. It was better, but still hit me the wrong way. Snyder just strikes me as...immature for a director. There is some talent, but he doesn't know when to say enough is enough. He seems to be more interested in overdone sex and violence than telling a good story. A hard R-rated film just for sake of making a hard R-rated film rarely works--and I'm struggling to think of a case where it does work. Maybe I'm out-of-touch with it, but he seems to treat plot and character development as an afterthought, as opposed to the heart and soul that drives the action.
Watchmen was a very adult work. To adapt it you have to make an R-rated film.
verslibre wrote:Btw, Blade 2's script was horrible, and Del Toro was not able to save it. The first movie is much better, regardless of directorship.
verslibre wrote:Where are the films of which he speaks?.
The_Noble_Cause wrote:verslibre wrote:Btw, Blade 2's script was horrible, and Del Toro was not able to save it. The first movie is much better, regardless of directorship.
I've always thought the exact opposite. David Goyer's script for Blade 1 is a total embarassment. Thankfully Del Toro re-wrote most of Goyer's work for the sequel. Goyer would then try his hand at writing and directing the third Blade, and ended up completely destroying the franchise. Blade 2 is an action-horror masterpiece. Goyer sux.
The_Noble_Cause wrote:verslibre wrote:Where are the films of which he speaks?.
Off the top of my head...Kick-Ass, Red, and The Losers all come to mind. Each was based on a comic nobody really cared about. Sometimes this pays off (see The Mask), usually not (Tank Girl, Steel, Judge Dredd etc).
The_Noble_Cause wrote:verslibre wrote:Where are the films of which he speaks?.
Off the top of my head...Kick-Ass, Red, and The Losers all come to mind. Each was based on a comic nobody really cared about. Sometimes this pays off (see The Mask), usually not (Tank Girl, Steel, Judge Dredd etc).
kgdjpubs wrote:I think the success of The Mask was primarily due to one Jim Carrey, who was red hot at the time. ANY movie you put him in at that time would have done well. I don't think the subject matter mattered one iota in that case.
verslibre wrote:Kick-Ass got made because it (the comic) was controversial and selling many copies.
The_Noble_Cause wrote:verslibre wrote:Kick-Ass got made because it (the comic) was controversial and selling many copies.
Evidently not enough to make mainstream audiences give two shits. Like Jim Cameron said, Hollywood is looking to adapt any comic property (popular, obscure, or otherwise) to make a buck.
verslibre wrote:HAHAHAHAHAHAHA!!!! So whose idea was it to rip off the Predator's split-jaw special effect and to incorporate gay CGI into the fight scenes?
A classic of a TURKEY, fer sure!!!!![]()
![]()
![]()
verslibre wrote:Kick-Ass was a relatively new comic; the fact that it became a movie that quickly tells you a studio was willing to take a chance on it.
The_Noble_Cause wrote:verslibre wrote:HAHAHAHAHAHAHA!!!! So whose idea was it to rip off the Predator's split-jaw special effect and to incorporate gay CGI into the fight scenes?
A classic of a TURKEY, fer sure!!!!![]()
![]()
![]()
Not sure what's "gay" about using CGI to keep budget costs down. That's a practical choice. Some martial arts scenes look dodgy, but nothing too bad. And the split-jaw effect didn't strike me as being a Predator knock-off. In hindsight, it probably is. Still doesn't detract from one of the best comic flicks ever made. Just a fun freak-out of a movie.
The_Noble_Cause wrote:verslibre wrote:Kick-Ass was a relatively new comic; the fact that it became a movie that quickly tells you a studio was willing to take a chance on it.
In the wake of Batman, Spiderman, and X-Men, studios are willing to take a chance on ANY comic character. Even Antman will soon be fighting evildoers on a screen near you. Cameron is right. The market is saturated.
verslibre wrote:The_Noble_Cause wrote:verslibre wrote:Kick-Ass was a relatively new comic; the fact that it became a movie that quickly tells you a studio was willing to take a chance on it.
In the wake of Batman, Spiderman, and X-Men, studios are willing to take a chance on ANY comic character. Even Antman will soon be fighting evildoers on a screen near you. Cameron is right. The market is saturated.
Cameron is an exaggerator. I don't see any new movies being greenlit for the DC heroes that were all recently portrayed on Smallville. No Flash, no Atom, no Justice League, none of that. Wonder Woman is coming back, but it's her second round in a TV show.
verslibre wrote:Practical? Either we didn't see the same movie, or you're sidestepping the issue. In the fight between Snipes-Blade and Goss-Reaper, CGI versions of themselves were substituted in certain frames to portray speed and stunts they presumaby could not do with the real actors. It looked cartoonish and nothing more than a way to emulate some very anime-esque motions. It was very unnecessary. This was also done in other combat sequences and right off the bat it looked lame and unnecessary.
verslibre wrote:And yes, it was a wholesale lift of the Predator's split-jaw. At least everyone in the theater I saw it were like "WTF?"
verslibre wrote:And why don't you just admit the story sucked?
The_Noble_Cause wrote:I saw it 4 times in theatres.
The_Noble_Cause wrote:Then again, the entire character of Blade is derivative of John Shaft and other blaxploitation heroes, so, really, who cares?
kgdjpubs wrote:There have been a large amount of _______* movies on the past couple of years. As long as the movies can be made cheaply though, I doubt Hollywood will stop making them. Minimal risk properties with some amount of a built-in audience that means they at least stand a good chance of breaking even.
verslibre wrote:kgdjpubs wrote:There have been a large amount of _______* movies on the past couple of years. As long as the movies can be made cheaply though, I doubt Hollywood will stop making them. Minimal risk properties with some amount of a built-in audience that means they at least stand a good chance of breaking even.
*action
*animated
*drama
*fantasy
*rom-com
*superhero
*sci-fi
Take your pick.
S2M wrote:Not that it really applies to this thread, directly...but I have 4 unfinished screenplays at various levels of finishedness(a word I made it up) that would probably never see the light of day due to me being unsolicited. Original ideas to boot, not recycled hollyweird plots. And here you have hollywood recycling, and rebooting, remaking, and re-ruining movie plots....I think it is pitiful.
kgdjpubs wrote:verslibre wrote:kgdjpubs wrote:There have been a large amount of _______* movies on the past couple of years. As long as the movies can be made cheaply though, I doubt Hollywood will stop making them. Minimal risk properties with some amount of a built-in audience that means they at least stand a good chance of breaking even.
*action
*animated
*drama
*fantasy
*rom-com
*superhero
*sci-fi
Take your pick.
yea, but I think superhero is a MUCH smaller genre than any of the above. Once you get out of the teenage male market, your consumer base shrinks considerably, and there are a lot of people who like action/sci-fi, but don't really care for comic book movies. That narrows the market even more than it would be otherwise.
verslibre wrote:kgdjpubs wrote:verslibre wrote:kgdjpubs wrote:There have been a large amount of _______* movies on the past couple of years. As long as the movies can be made cheaply though, I doubt Hollywood will stop making them. Minimal risk properties with some amount of a built-in audience that means they at least stand a good chance of breaking even.
*action
*animated
*drama
*fantasy
*rom-com
*superhero
*sci-fi
Take your pick.
yea, but I think superhero is a MUCH smaller genre than any of the above. Once you get out of the teenage male market, your consumer base shrinks considerably, and there are a lot of people who like action/sci-fi, but don't really care for comic book movies. That narrows the market even more than it would be otherwise.
The Dark Knight has changed that. There were many ticketbuyers who weren't "teenage males," myself included.
The Iron Man flicks proved very popular with general audiences, too. These movies appealed to a large range of moviegoers, not just comics fans.
S2M wrote:This just in....as it's continued interest in superhero movies increases...Hollywood, in a blatant attempt to garner the female demographic, has green lit a new project involving 2 Female Superheroes....
![]()
![]()
![]()
kgdjpubs wrote:Honestly, maybe what I should have said (and maybe what Cameron was insinuating) is that there is an overload on cheaply-produced, comic book films. Put the right talent in writing, producing and directing any property and release the budget required to properly make the movie, and you may well end up with a critically-lauded and popular film that will rope in fans. Too often however, they are going cheap and/or non "A-list" casting without a great script to begin with and you end up with a bunch of films like Ghost Rider--which was an embarrassment to all involved.
Return to Snowmobiles For The Sahara
Users browsing this forum: Google [Bot] and 13 guests