Rocktopia Eclipse Review

[Don]

May 03, 2011

http://www.rocktopia.co.uk/index.php?op ... Itemid=121

It seems like every Journey album since 'Raised On Radio' has been prefaced by guitarist Neil Schon claiming that it's going to be a full-on rock album, only for the finished article (excepting perhaps the poorly produced 'Generations') to be the usual ballad-heavy affair – which isn't necessarily a bad thing as no-one does ballads like Journey does. However, I'm sure the news has already leaked out that they've only gone and done it this time, Schon obviously getting his wish with 'Eclipse' and giving you more riffs and notes for your buck than ever before.

Opener 'City Of Hope' is a statement of intent. Built upon great guitar parts and an uplifting arrangement, it's a rocking opener that still doesn't scrimp on melody with Arnel Pineda delivering his gorgeous melody lines without a hint of an accent. In the great tradition of Journey opening tracks it hooks you in and will stick in your head for weeks, the rock-out ending and shredding Neal Schon solo being the icing on the cake. 'Edge Of The Moment' continues in a similar vein with subtle, cheese-free hooks, loads of guitar and a chorus that takes a while to get your head around because it's so un-Journey-like. If that's a shocker then 'Chain Of Love' will be even more so, Jon Cain's gentle piano and Pineda's Perry-esque vocal soon giving way to one of the heaviest riffs that the band have ever come up with. The combination of Schon's guitar and Cain's keys parts are reminiscent of the darker songs on the 'Frontiers' album and Cain adds real menace to some of the instrumental sections whilst the dark vocal melodies leave no chance of it ever becoming a single.

From that point on there are more recognisable Journey traits to be found, the soaring ballads (yes, there are a couple!) 'Tantra' and 'I Close My Eyes' have typical chord structures and Arnel hits big notes in the choruses, whilst the instant classic 'Anything Is Possible' and 'Let Someone Love You' rock in a more typically light Journey way, with simpler guitar lines, great keys and choruses that cry out to be played on radio. 'Resonate' is another great song that sounds like it was written around a beautiful Schon guitar solo, with simple and effective work from drummer Deen Castronovo and bassist Ross Valory and another winning performance from Pineda. Rather bizarrely, the light and airy acoustics of 'She's A Mystery' sound like a Steve Augeri song, but you've gotta love the huge retro riff that comes in for the last ninety seconds like a reprise from the 'Infinity' album.

'Human Feel' has a another big guitar riff and is built on Castronovo's powerful drumming, but again it's all change for the catchy chorus and the song isn't typical Journey and goes on a bit at the end, whilst 'You've Become My Ritual' is another good rocker with a memorable chorus and some great keyboard stabs from Jon Cain.

Ending with an instrumental reprise of 'I Close My Eyes' that gives Schon the opportunity to expand on the original theme, 'Eclipse' is quite an astounding album that takes many chances and rarely follows the safe route. If I'm honest I'd say that it might not be the album that a lot of Journey's less adventurous fans might want, it's certainly not immediate and may take more time to really get under the surface of than some people are willing to give. However, all I can say is that it's well on its way to being my favourite Journey album since 'Frontiers', which I feel is its closest reference point. Suffice to say that Neal Schon was right: it really rocks!

Phil Ashcroft

[Intell]

May 03, 2011

http://www.rocktopia.co.uk/index.php?op ... Itemid=121

It seems like every Journey album since 'Raised On Radio' has been prefaced by guitarist Neil Schon claiming that it's going to be a full-on rock album, only for the finished article (excepting perhaps the poorly produced 'Generations') to be the usual ballad-heavy affair – which isn't necessarily a bad thing as no-one does ballads like Journey does. However, I'm sure the news has already leaked out that they've only gone and done it this time, Schon obviously getting his wish with 'Eclipse' and giving you more riffs and notes for your buck than ever before.

Opener 'City Of Hope' is a statement of intent. Built upon great guitar parts and an uplifting arrangement, it's a rocking opener that still doesn't scrimp on melody with Arnel Pineda delivering his gorgeous melody lines without a hint of an accent. In the great tradition of Journey opening tracks it hooks you in and will stick in your head for weeks, the rock-out ending and shredding Neal Schon solo being the icing on the cake. 'Edge Of The Moment' continues in a similar vein with subtle, cheese-free hooks, loads of guitar and a chorus that takes a while to get your head around because it's so un-Journey-like. If that's a shocker then 'Chain Of Love' will be even more so, Jon Cain's gentle piano and Pineda's Perry-esque vocal soon giving way to one of the heaviest riffs that the band have ever come up with. The combination of Schon's guitar and Cain's keys parts are reminiscent of the darker songs on the 'Frontiers' album and Cain adds real menace to some of the instrumental sections whilst the dark vocal melodies leave no chance of it ever becoming a single.

From that point on there are more recognisable Journey traits to be found, the soaring ballads (yes, there are a couple!) 'Tantra' and 'I Close My Eyes' have typical chord structures and Arnel hits big notes in the choruses, whilst the instant classic 'Anything Is Possible' and 'Let Someone Love You' rock in a more typically light Journey way, with simpler guitar lines, great keys and choruses that cry out to be played on radio. 'Resonate' is another great song that sounds like it was written around a beautiful Schon guitar solo, with simple and effective work from drummer Deen Castronovo and bassist Ross Valory and another winning performance from Pineda. Rather bizarrely, the light and airy acoustics of 'She's A Mystery' sound like a Steve Augeri song, but you've gotta love the huge retro riff that comes in for the last ninety seconds like a reprise from the 'Infinity' album.

'Human Feel' has a another big guitar riff and is built on Castronovo's powerful drumming, but again it's all change for the catchy chorus and the song isn't typical Journey and goes on a bit at the end, whilst 'You've Become My Ritual' is another good rocker with a memorable chorus and some great keyboard stabs from Jon Cain.

Ending with an instrumental reprise of 'I Close My Eyes' that gives Schon the opportunity to expand on the original theme, 'Eclipse' is quite an astounding album that takes many chances and rarely follows the safe route. If I'm honest I'd say that it might not be the album that a lot of Journey's less adventurous fans might want, it's certainly not immediate and may take more time to really get under the surface of than some people are willing to give. However, all I can say is that it's well on its way to being my favourite Journey album since 'Frontiers', which I feel is its closest reference point. Suffice to say that Neal Schon was right: it really rocks!

Phil Ashcroft

I am confused. "I Close My Eyes"?? and an instrumental reprise of it???

[Majestic]

May 03, 2011

http://www.rocktopia.co.uk/index.php?op ... Itemid=121

It seems like every Journey album since 'Raised On Radio' has been prefaced by guitarist Neil Schon claiming that it's going to be a full-on rock album, only for the finished article (excepting perhaps the poorly produced 'Generations') to be the usual ballad-heavy affair – which isn't necessarily a bad thing as no-one does ballads like Journey does. However, I'm sure the news has already leaked out that they've only gone and done it this time, Schon obviously getting his wish with 'Eclipse' and giving you more riffs and notes for your buck than ever before.

Opener 'City Of Hope' is a statement of intent. Built upon great guitar parts and an uplifting arrangement, it's a rocking opener that still doesn't scrimp on melody with Arnel Pineda delivering his gorgeous melody lines without a hint of an accent. In the great tradition of Journey opening tracks it hooks you in and will stick in your head for weeks, the rock-out ending and shredding Neal Schon solo being the icing on the cake. 'Edge Of The Moment' continues in a similar vein with subtle, cheese-free hooks, loads of guitar and a chorus that takes a while to get your head around because it's so un-Journey-like. If that's a shocker then 'Chain Of Love' will be even more so, Jon Cain's gentle piano and Pineda's Perry-esque vocal soon giving way to one of the heaviest riffs that the band have ever come up with. The combination of Schon's guitar and Cain's keys parts are reminiscent of the darker songs on the 'Frontiers' album and Cain adds real menace to some of the instrumental sections whilst the dark vocal melodies leave no chance of it ever becoming a single.

From that point on there are more recognisable Journey traits to be found, the soaring ballads (yes, there are a couple!) 'Tantra' and 'I Close My Eyes' have typical chord structures and Arnel hits big notes in the choruses, whilst the instant classic 'Anything Is Possible' and 'Let Someone Love You' rock in a more typically light Journey way, with simpler guitar lines, great keys and choruses that cry out to be played on radio. 'Resonate' is another great song that sounds like it was written around a beautiful Schon guitar solo, with simple and effective work from drummer Deen Castronovo and bassist Ross Valory and another winning performance from Pineda. Rather bizarrely, the light and airy acoustics of 'She's A Mystery' sound like a Steve Augeri song, but you've gotta love the huge retro riff that comes in for the last ninety seconds like a reprise from the 'Infinity' album.

'Human Feel' has a another big guitar riff and is built on Castronovo's powerful drumming, but again it's all change for the catchy chorus and the song isn't typical Journey and goes on a bit at the end, whilst 'You've Become My Ritual' is another good rocker with a memorable chorus and some great keyboard stabs from Jon Cain.

Ending with an instrumental reprise of 'I Close My Eyes' that gives Schon the opportunity to expand on the original theme, 'Eclipse' is quite an astounding album that takes many chances and rarely follows the safe route. If I'm honest I'd say that it might not be the album that a lot of Journey's less adventurous fans might want, it's certainly not immediate and may take more time to really get under the surface of than some people are willing to give. However, all I can say is that it's well on its way to being my favourite Journey album since 'Frontiers', which I feel is its closest reference point. Suffice to say that Neal Schon was right: it really rocks!

Phil Ashcroft

I am confused. "I Close My Eyes"?? and an instrumental reprise of it???

You haven't heard it? Next to "I'm forever yours" it's the greatest ballad Journey ever did, IMHO.

[conversationpc]

I'm thinking this guy didn't pay much attention to the song titles.

[Don]

I'm thinking this guy didn't pay much attention to the song titles.

I think I Close My Eyes was a working title on the early promos for TWIMC.

[george_g]

Loooooooooooooooooool that's hilarious , took me back to Napster days where search on 'journey' gave back the hits 'i'm forever yours', 'small town girl', 'when the lights go down in the city'

[george_g]

...or even: Journey-Eye of the tiger