Journey's GREATEST HITS VOL. 2 -press release Sept. 19, 2011

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Journey's GREATEST HITS VOL. 2 -press release Sept. 19, 2011

Postby tater1977 » Tue Sep 20, 2011 2:58 am

press release

Sept. 19, 2011, 12:00 p.m. EDT

Journey's GREATEST HITS VOL. 2 Spans Hit Singles, Album Tracks and Rarities From 1978 to 1996
--Journey's Enduring Appeal Is Affirmed Everywhere From Rock Band To The Sopranos, from Broadway's Rock Of Ages to Television's Glee --CD and gatefold double 180-gram virgin vinyl edition of GREATEST HITS VOL. 2 -- AND gatefold double 180-gram virgin vinyl edition of original GREATEST HITS -- available everywhere starting November 1, 2011

http://www.marketwatch.com/story/journe ... 2011-09-19


NEW YORK, Sept. 19, 2011 /PRNewswire via COMTEX/ -- GREATEST HITS VOL. 2, a brand-new collection of original recordings by the mega-platinum band Journey will be available as a single CD, digital download, and special gatefold double-vinyl edition (which includes a code for a free digital download of the vinyl remastered album), available starting November 1, 2011. This new package from Columbia/Legacy, a division of SONY MUSIC ENTERTAINMENT, spans singles and album tracks recorded between 1978 and 1996.




Journey's original Greatest Hits collection is one of the top-selling American rock albums of all time with worldwide sales in excess of 25 million. In conjunction with the double-LP version of GREATEST HITS VOL. 2, the original Greatest Hits will also be issued as a gatefold double-vinyl edition on the same date, November 1 (which also includes a code for a free digital download of the vinyl remastered album).

Journey, founded by guitar virtuoso Neal Schon in 1973, has achieved iconic pop culture status that has earned the band cumulative sales of more than 62 million albums, singles, and digital tracks in the U.S. alone. Their enduring appeal is affirmed everywhere from Rock Band to Tony Soprano's musical daydreams on HBO's The Sopranos, from Broadway's Rock Of Ages to FOX's Family Guy. Most notably, the cast of Glee celebrated Journey's "Don't Stop Believin'" on the series premiere episode of 2009. The kids later paid homage with three songs on 2010's Journey to Regionals ("Faithfully," the medley of "Any Way You Want It / Lovin' Touchin' Squeezin'," and the new Regionals version of "Don't Stop Believin'").

When asked about his experience in the remastering back to vinyl of the original recordings of the Journey Greatest Hits and the new GREATEST HITS VOL. 2, Steve Perry replied, "I truly forgot how sonically exciting and just plain better these Journey tracks sound back where they originally lived...on Vinyl. The stereo separation, the center imaging and the sonic depth of the tracks themselves is more true to what we all loved about these original final mixes. All the instruments and voices, to me personally, sound so damn good that all I want to do is reach for the volume and turn it up!"

"I'm very excited to be releasing this compilation," said Neal Schon. "Many of these songs were written in our earlier days by Steve Perry and myself, and hearing them again brings back great memories. 'Little Girl' has an extra special meaning for me because it's one of the songs my father, who worked with us for many years, worked on with us. All our songs have stood the test of time, and I hope our fans will enjoy this collection."

Jonathan Cain added, "Escape was my first album with Journey in 1981 and I never looked back. A lot of the songs in those days were in pieces -- like a puzzle to figure out. The connection we had was magic -- and like a Super Bowl team -- we always found a way to get it right."

Covering 18 central years in the Journey saga, GREATEST HITS VOL. 2 includes tracks from the band's fourth album, Infinity (1978), produced by Roy Thomas Baker, which marked the entry of Steve Perry's distinctive lead vocals into the lineup ("Feeling That Way," "Anytime," "Patiently").

Their next album, Evolution (1979) was also produced by Baker and features "Just The Same Way". Departure (1980) was the first of seven consecutive studio albums by Journey to reach the Top 10, and platinum or multi-platinum, over the next 16 years ("Walks Like A Lady," "Good Morning Girl," "Stay Awhile").

One of the cornerstone bands in radio's new Album Rock format, Journey's popularity was so overwhelming that they were able to release a single from their double-LP concert set, Captured (1981). "The Party's Over (Hopelessly In Love)" broke inside the Top 40, and was the #2 song on Billboard's Mainstream Rock chart.

Journey's hold on the charts continued with Escape (1981), the band's first #1 album. Escape spent nearly three years on Billboard's Top 200 chart and produced four hit singles -- "Who's Crying Now," "Don't Stop Believin'," "Open Arms" (all on Greatest Hits) and "Still They Ride" along with the rock staples, "Stone In Love," "Mother, Father" and the title track "Escape" (all on GREATEST HITS VOL. 2).

Escape was produced by Mike Stone (Queen, Kiss, America and others) and Kevin Elson, who went on to produce the next album, Frontiers (1983). Frontiers ("After The Fall," "Chain Reaction") debuted the week before Michael Jackson's Thriller hit #1 -- thus the LP had the distinction of being one of many albums to occupy the #2 spot (for nine weeks) during Thriller's reign at the top.

Raised On Radio was released in 1986, featuring an assortment of top studio musicians including noted jazz-funk-R&B bassist Randy Jackson (of American Idol) who went on to tour with Journey through 1987. Raised On Radio was another double-platinum album for Journey, spending 67 weeks on the album chart, and spinning off the Top 20 hit "Suzanne."

In 1992, Journey became one of the first American rock bands to release a deluxe multi-CD box set, Time(3). Comprised mostly of hit singles and key album tracks from the band's first dozen albums, Time(3) also contained a number of previously unreleased tracks and rarities. Among these was "Little Girl," from the original motion picture soundtrack of Dream After Dream, an obscure foreign film whose entire score was performed by Journey, issued by Columbia in 1980.

A Journey reunion took place in the '90s, and the recording of Trial By Fire (1996) was the result, with Steve Perry, Neal Schon, Jonathan Cain, Ross Valory, and Steve Smith all on-board for their first album together since Frontiers. Featuring "When I Think Of You," Trial By Fire rose to #3 and continued Journey's platinum streak.

GREATEST HITS VOL. 2 wraps up with a live concert version of "Mother, Father" -- a highlight of Live In Houston 1981 - Escape Tour, a Columbia/Legacy archive release in 2005 which featured both video and audio versions of the same 75-minute program.

As Rolling Stone contributing editor David Wild wrote, "Whether on the radio or on some stage, these well-built tunes remain sturdy crowd pleasers to this very day, in their second century of airplay. Some DJ is playing a Journey song somewhere right now and many more are out there singing along -- you can bet on it."

GREATEST HITS VOL. 2 by JOURNEY (Columbia/Legacy 88697 77986 2) Selections: 1. Stone In Love - 2. After The Fall - 3. Chain Reaction - 4. The Party's Over (Hopelessly In Love) - 5. Escape - 6. Still They Ride - 7. Good Morning Girl - 8. Stay Awhile - 9. Suzanne - 10. Feeling That Way - 11. Anytime - 12. Walks Like A Lady - 13. Little Girl - 14. Just The Same Way - 15. Patiently - 16. When I Think Of You - 17. Mother, Father (Live In Houston, 1981).

Greatest Hits Vol. 2 vinyl and CD meticulously remastered to vinyl by Robert Hadley and Steve Perry at The Mastering Lab in Ojai, CA.

Greatest Hits Vol. 1 vinyl meticulously remastered to vinyl by Doug Sax, Robert Hadley and Steve Perry at The Mastering Lab in Ojai, CA.

www.LegacyRecordings.com

SOURCE Legacy Recordings
Perry's good natured bonhomie & the world’s most charmin smile,knocked fans off their feet. Sportin a black tux,gigs came alive as he swished around the stage thrillin audiences w/ charisma that instantly burnt the oxygen right out of the venue.TR.com
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Postby Majestic » Tue Sep 20, 2011 4:07 am

You know, it's really got some great songs, in my opinion, but who doesn't already have them all already? Is there any reason to buy this?
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Postby Greg » Tue Sep 20, 2011 5:43 am

Majestic wrote:You know, it's really got some great songs, in my opinion, but who doesn't already have them all already? Is there any reason to buy this?


I'd buy the 180 gram vinyl.
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Postby jrnyjetster » Wed Sep 21, 2011 11:14 pm

More gravy money for Steve Perry while he sits on his ass collecting the royalty checks and of course, an added bonus for the guys that are working their asses off touring all over the world. :wink:
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Postby Arkansas » Thu Sep 22, 2011 11:44 am

This is a great press release. Let the album cook a little while this fall, to see what it does, and then hit it with more PR for the Cmas season. Most of us diehards probably don't need it, but we'll buy it for our collections. And more importantly, America will buy it. With GH1 still selling, GH2 will get bought too. Either in tandem w/GH1, or standalone, it may take some time to reach GH1 status, but it'll sell.

If I could buy stock in the band/catalog, I would.
Btw, wouldn't that be kinda cool? Talk about corporate rock. If Journey became a publicly traded entity, would stock sell, and what kind of pressure would that put on the band/mgt to be even more successful. I wonder if any band/artist has ever attempted anything like this...?

later~
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Postby Rick » Thu Sep 22, 2011 11:50 am

Arkansas wrote:This is a great press release. Let the album cook a little while this fall, to see what it does, and then hit it with more PR for the Cmas season. Most of us diehards probably don't need it, but we'll buy it for our collections. And more importantly, America will buy it. With GH1 still selling, GH2 will get bought too. Either in tandem w/GH1, or standalone, it may take some time to reach GH1 status, but it'll sell.

If I could buy stock in the band/catalog, I would.
Btw, wouldn't that be kinda cool? Talk about corporate rock. If Journey became a publicly traded entity, would stock sell, and what kind of pressure would that put on the band/mgt to be even more successful. I wonder if any band/artist has ever attempted anything like this...?

later~


That's one of those hmmmm moments. A band like Journey would benefit from that I think. Any band with an evergreen catalog like they have would.

And yeah, I cribbed "evergreen catalog" from Herbie. :lol:
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Postby Arkansas » Thu Sep 22, 2011 12:05 pm

Rick wrote:
Arkansas wrote:This is a great press release. Let the album cook a little while this fall, to see what it does, and then hit it with more PR for the Cmas season. Most of us diehards probably don't need it, but we'll buy it for our collections. And more importantly, America will buy it. With GH1 still selling, GH2 will get bought too. Either in tandem w/GH1, or standalone, it may take some time to reach GH1 status, but it'll sell.

If I could buy stock in the band/catalog, I would.
Btw, wouldn't that be kinda cool? Talk about corporate rock. If Journey became a publicly traded entity, would stock sell, and what kind of pressure would that put on the band/mgt to be even more successful. I wonder if any band/artist has ever attempted anything like this...?

later~


That's one of those hmmmm moments. A band like Journey would benefit from that I think. Any band with an evergreen catalog like they have would.

And yeah, I cribbed "evergreen catalog" from Herbie. :lol:


Think about it. If something like this existed..SEC regulation was in place & everytihing is on the up & up, just like other coporations...would it work? Would it put pressure on a band to create a high-selling product? Would it cause a band to really analyze the lineup? And what effect would there be on keeping a productive lineup together? What about maximizing tour profits? And, what kind of cash would the IPO raise?

Lots of interesting questions.


later~
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Postby AR » Thu Sep 22, 2011 12:46 pm

If these greatest hits packages that so many record companies put out weren't selling, you wouldn't see them being released. They do better most of the time than new material from "legacy acts".
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