Moderator: Andrew
knox wrote:THIS IS WHAT JOURNEY SHOULD BE:
http://www.youtube.com/watch?v=DOJ3KnL_eBQ
http://www.youtube.com/watch?v=z22WFzYX ... re=related
http://www.youtube.com/watch?v=meHJCUSj ... re=related
NO ONE can tell me that Arnel is anywhere close to this guy.
Ehwmatt wrote:Cast aside subjectivities like "emotion" and "tone." Hell, you can even cast aside semi-subjective things like whether the notes Arnel hit sounded good, sour, or mediocre. His phrasing and timing stand out as objectively horrible to me on most live performances. He simply doesn't seem to have a natural feel for rhythm, and without rhythm, no professional musician can survive a trained ear's scrutiny.
Have you ever tried to sing karaoke to a song you thought you could sing and knew well, but then the karaoke screen is highlighting the words at a weird cadence that isn't like the original because the karaoke track doesn't quite match the original? It quickly becomes a train wreck for all involved. To me, Arnel has NO clue when to sing certain parts and how long to draw certain words/phrases/notes out, and it sounds a lot like someone singing karaoke to a slightly unfamiliar backing track. It's bad on the rockers, but it's even worse on the slow ones (e.g., Faithfully). I'm not trying to rehash the Asian karaoke stereotype, but frankly, I've played music with Asians before and they do have a tendency to be robotic about things. I DO chalk this up to Arnel coming from a culture that prides itself on imitation, rather than artistry.
I've heard a lot of guitar players who know all kinds of cool licks, riffs, and chords (i.e., have good technical chops, like Arnel arguably does to an extent), but have NO sense of rhythm or phrasing. It's why I'd rather listen to David Gilmour than some anonymous basement shredder on YouTube. To me, Arnel is no different, and that's largely the reason why I really can't stand listening to him sing, especially live.
Eric wrote:Ehwmatt wrote:Cast aside subjectivities like "emotion" and "tone." Hell, you can even cast aside semi-subjective things like whether the notes Arnel hit sounded good, sour, or mediocre. His phrasing and timing stand out as objectively horrible to me on most live performances. He simply doesn't seem to have a natural feel for rhythm, and without rhythm, no professional musician can survive a trained ear's scrutiny.
Have you ever tried to sing karaoke to a song you thought you could sing and knew well, but then the karaoke screen is highlighting the words at a weird cadence that isn't like the original because the karaoke track doesn't quite match the original? It quickly becomes a train wreck for all involved. To me, Arnel has NO clue when to sing certain parts and how long to draw certain words/phrases/notes out, and it sounds a lot like someone singing karaoke to a slightly unfamiliar backing track. It's bad on the rockers, but it's even worse on the slow ones (e.g., Faithfully). I'm not trying to rehash the Asian karaoke stereotype, but frankly, I've played music with Asians before and they do have a tendency to be robotic about things. I DO chalk this up to Arnel coming from a culture that prides itself on imitation, rather than artistry.
I've heard a lot of guitar players who know all kinds of cool licks, riffs, and chords (i.e., have good technical chops, like Arnel arguably does to an extent), but have NO sense of rhythm or phrasing. It's why I'd rather listen to David Gilmour than some anonymous basement shredder on YouTube. To me, Arnel is no different, and that's largely the reason why I really can't stand listening to him sing, especially live.
Seems to me Arnel and Augeri need to get into a groove but someone like JSS can just come out flying....
knox wrote:Easily done.
Here's another one from Boyce Avenue - DSB.
Much better than Arnel:
http://www.youtube.com/watch?v=0mPAO0R8 ... ure=relmfu
Eric wrote:Seems to me Arnel and Augeri need to get into a groove but someone like JSS can just come out flying....
The_Noble_Cause wrote:knox wrote:Easily done.
Here's another one from Boyce Avenue - DSB.
Much better than Arnel:
http://www.youtube.com/watch?v=0mPAO0R8 ... ure=relmfu
LMAO. That is one Dashboard emo faggy rendition. The tempo is so slooowed down that virtually anyone could cover it. I think you just really hate Arnel.
knox wrote:Are you kidding me about the Soto comment?
There was more excitement brewing with Soto than this guy has produced.
Ehwmatt wrote:The_Noble_Cause wrote:knox wrote:Easily done.
Here's another one from Boyce Avenue - DSB.
Much better than Arnel:
http://www.youtube.com/watch?v=0mPAO0R8 ... ure=relmfu
LMAO. That is one Dashboard emo faggy rendition. The tempo is so slooowed down that virtually anyone could cover it. I think you just really hate Arnel.I agree with TNC here. That was gay as fuck. I'm all for interesting rearrangements, but turning it into something like this defeats the purpose of the song.
The_Noble_Cause wrote:knox wrote:Are you kidding me about the Soto comment?
There was more excitement brewing with Soto than this guy has produced.
In niche rock circles (like here on MR.com) there was plenty of buzz about Soto. Arnel's story, as sappy and as overplayed as it is, managed to breach the mainstream. I don't think a JSS or Jeremey-fronted Journey would've been on Oprah or Ellen or caught fire in nearly the same way.
knox wrote:The_Noble_Cause wrote:knox wrote:Are you kidding me about the Soto comment?
There was more excitement brewing with Soto than this guy has produced.
In niche rock circles (like here on MR.com) there was plenty of buzz about Soto. Arnel's story, as sappy and as overplayed as it is, managed to breach the mainstream. I don't think a JSS or Jeremey-fronted Journey would've been on Oprah or Ellen or caught fire in nearly the same way.
I never thought Jeremy had the chops for Journey, either (sorry dude...)
Soto is the Real Deal.
YoungJRNY wrote:Eric wrote:knox wrote:YoungJRNY wrote:knox wrote:I said this in the other thread. Arnel was AWFUL in that clip. No annunciation. Vocal tone was horrible. Sour notes toward the end. Third rate singer at best.
How anyone can say he was good is beyond me.
That's funny, that awful performance convinced a Journey-hater to buy their Greatest Hits CD, Revelation & Eclipse last night after the awards. I had texts last night saying how Journey's new lead singer sounded great and how impressed they came away with the band. Especially country fans, they can be brutal
Unbelievable...
Ohhh-kay, enough of the agenda.
Go read comments from the VAST...VAST majority of people who loved last night's performance and made them more aware of Journey.
This is melodicrock.com, the CENTER of the world's greatest music earsJourney's young audience has been bigger than EVER over last few years. This will do nothing but solidify that even further. I was listening to Journey relentlessly when I was 17 years of age, way before the craze of "GLEE" emerged. My friends had no idea who Journey even was. Those SAME friends in the present day work the SHIT out of tunes like DSB and attend Journey concerts yearly with their groups of buddies that range from 19-24 years of age. You'd be a fucking liar if you can sit there and say their CMT performance could/will HURT the band. That, or your simply what you stated above, a grouchy HATER with an agenda.
The Sushi Hunter wrote:knox wrote:The_Noble_Cause wrote:knox wrote:Are you kidding me about the Soto comment?
There was more excitement brewing with Soto than this guy has produced.
In niche rock circles (like here on MR.com) there was plenty of buzz about Soto. Arnel's story, as sappy and as overplayed as it is, managed to breach the mainstream. I don't think a JSS or Jeremey-fronted Journey would've been on Oprah or Ellen or caught fire in nearly the same way.
I never thought Jeremy had the chops for Journey, either (sorry dude...)
Soto is the Real Deal.
So if Soto is the real deal, why then isn't he with the band anymore? If anyone is the real deal, they would be with the band.
knox wrote:The Sushi Hunter wrote:knox wrote:The_Noble_Cause wrote:knox wrote:Are you kidding me about the Soto comment?
There was more excitement brewing with Soto than this guy has produced.
In niche rock circles (like here on MR.com) there was plenty of buzz about Soto. Arnel's story, as sappy and as overplayed as it is, managed to breach the mainstream. I don't think a JSS or Jeremey-fronted Journey would've been on Oprah or Ellen or caught fire in nearly the same way.
I never thought Jeremy had the chops for Journey, either (sorry dude...)
Soto is the Real Deal.
So if Soto is the real deal, why then isn't he with the band anymore? If anyone is the real deal, they would be with the band.
You would have to ask Neal and Jon. Consensus thinking is that Arnel can be a puppet for them much more than Soto. He would have wanted actual input and artistic creativity and they couldn't have that.
The_Noble_Cause wrote:knox wrote:Are you kidding me about the Soto comment?
There was more excitement brewing with Soto than this guy has produced.
In niche rock circles (like here on MR.com) there was plenty of buzz about Soto. Arnel's story, as sappy and as overplayed as it is, managed to breach the mainstream. I don't think a JSS or Jeremey-fronted Journey would've been on Oprah or Ellen or caught fire in nearly the same way.
The Sushi Hunter wrote:knox wrote:The Sushi Hunter wrote:knox wrote:The_Noble_Cause wrote:knox wrote:Are you kidding me about the Soto comment?
There was more excitement brewing with Soto than this guy has produced.
In niche rock circles (like here on MR.com) there was plenty of buzz about Soto. Arnel's story, as sappy and as overplayed as it is, managed to breach the mainstream. I don't think a JSS or Jeremey-fronted Journey would've been on Oprah or Ellen or caught fire in nearly the same way.
I never thought Jeremy had the chops for Journey, either (sorry dude...)
Soto is the Real Deal.
So if Soto is the real deal, why then isn't he with the band anymore? If anyone is the real deal, they would be with the band.
You would have to ask Neal and Jon. Consensus thinking is that Arnel can be a puppet for them much more than Soto. He would have wanted actual input and artistic creativity and they couldn't have that.
That is a concept but I don't think it's the determining factor.
knox wrote:THIS IS WHAT JOURNEY SHOULD BE:
http://www.youtube.com/watch?v=DOJ3KnL_eBQ
http://www.youtube.com/watch?v=z22WFzYX ... re=related
http://www.youtube.com/watch?v=meHJCUSj ... re=related
NO ONE can tell me that Arnel is anywhere close to this guy.
knox wrote:I keep waiting to hear an Arnel fronted song on the radio
Abitaman wrote:knox wrote:THIS IS WHAT JOURNEY SHOULD BE:
http://www.youtube.com/watch?v=DOJ3KnL_eBQ
http://www.youtube.com/watch?v=z22WFzYX ... re=related
http://www.youtube.com/watch?v=meHJCUSj ... re=related
NO ONE can tell me that Arnel is anywhere close to this guy.
No one is close to Perry, get over it and move on. If you can't get over it stop listening to them now.
Deb wrote::lol: Was for me. Nothing against Augeri or Arnel, but in my opinion the only time they had a frontman with balls enough to push Cain/Schon creatively and/or on decision making was with Perry and Soto......and they knew it. Notice neither of which is in the band anymore......and of course they are still comfortably playing the same dirty dozen night after night.
Abitaman wrote:
No one is close to Perry, get over it and move on. If you can't get over it stop listening to them now.
The Sushi Hunter wrote:What you mention is key as in what made it for you. When looking at the entire fan base worldwide, not restricting it to a specific country, radio station or website, Arnel has a much greater in numbers fan base, no question about it. And that is the ultimate determining factor when it comes to the entertainment industry. It's all business in the entertainment industry and what they do depends on what is going to generate the best revenue.
knox wrote:Abitaman wrote:
No one is close to Perry, get over it and move on. If you can't get over it stop listening to them now.
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