The_Noble_Cause wrote:If that were true then Jon would have been complaining about Revelation, which he did not. And it sold pretty well.
Agreed.. Arnel hype to the bank. Since then... no Arnel hype... no bank. No Perry.
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The_Noble_Cause wrote:If that were true then Jon would have been complaining about Revelation, which he did not. And it sold pretty well.
tater1977 wrote:Well they re-recorded SP/J material GH's with AP.
So if they re-record SA/J material GH with AP...
Wonder what they are hoping for
The_Noble_Cause wrote:tater1977 wrote:Well they re-recorded SP/J material GH's with AP.
So if they re-record SA/J material GH with AP...
Wonder what they are hoping for
"Higher Place" def. deserves a second shot at being heard. The rest, eh, as much as I love Arrival, you gotta keep creating new stuff.
Yoda wrote: The only thing I DO agree with that these songs should be heard – WHICH IS WHY YOU PLAY THEM IN CONCERT! Heck, record a live CD with these songs being played if you must re-record them, but for Pete’s sake, leave the recordings alone.
brywool wrote:If they wanted to do a Symphony thing, that's what the Revelation re-records should've been. To re-record them AGAIN with a Symphony, I wouldn't be interested. I also don't want to buy Arrival again. I love it. But I already own it.
I think that Eclipse wasn't give ANY chance to succeed and it sure didn't help that JC was out there pretty much distancing himself from it. If that album had been edited a bit, it would've been a bit more digestible for the soccer moms out there. But as it is, it's a great ROCK record. Jeez, let it stand as what it is and be proud of it. I remember when Arrival was first going to be released. It was SOOOO watered down with ballads. Thank God they went in and added some more upbeat songs to it.
Cain AND Neal need to realize that it's BOTH of these things. It can't be all "Open Arms" and "Who's Cryin' Now". It can't be all "In Self Defense" and "Castles Burning". It's GOT to be both or it won't be what the casual fan is after. The new stuff on Revelation was a GREAT mix of both of these elements.
Gideon wrote:brywool wrote:If they wanted to do a Symphony thing, that's what the Revelation re-records should've been. To re-record them AGAIN with a Symphony, I wouldn't be interested. I also don't want to buy Arrival again. I love it. But I already own it.
I think that Eclipse wasn't give ANY chance to succeed and it sure didn't help that JC was out there pretty much distancing himself from it. If that album had been edited a bit, it would've been a bit more digestible for the soccer moms out there. But as it is, it's a great ROCK record. Jeez, let it stand as what it is and be proud of it. I remember when Arrival was first going to be released. It was SOOOO watered down with ballads. Thank God they went in and added some more upbeat songs to it.
Cain AND Neal need to realize that it's BOTH of these things. It can't be all "Open Arms" and "Who's Cryin' Now". It can't be all "In Self Defense" and "Castles Burning". It's GOT to be both or it won't be what the casual fan is after. The new stuff on Revelation was a GREAT mix of both of these elements.
Eclipse is one of my top 3 favorite all-time Journey albums and I think it's extremely underrated by critics and naysayers. That said, there is some truth to what JC's saying here. There needs to be equilibrium between the rock and ballad elements. A 3 ballad, 3-4 mid-tempo, 4-5 rock spread for an album wouldn't be bad.
I'm hoping they release new material. There's some good ideas still left. All you need is a strong person to come in an rein both JC and NS in a bit.
The_Noble_Cause wrote:Alot of good points in this thread. YandTguy - I never understood the SW and HP comparisons. Two very different songs.
Journey2Infinity wrote:Honestly, I think Neal desperately wants to be recognized more and be a rock guitarist 'household name' like many of his peers. And deservedly so. It seems to me that the only way he feels he can accomplish this is to play harder rock - faster, louder, flashier, over-processed with more guitar solos - like many of his peers. He doesn't like the ballads as much because they are more known for piano and vocals, not guitar, save "Who's Cryin' Now". The fact is, Neal helped Journey become famous because of his blues-rock, melodic rock guitar sound. He was able to make many of his solos sing with emotion, much like another voice. And then at the appropriate time, during the appropriate song he could shred and blow people away. He had that perfect balance.
Pacfanweb wrote:The_Noble_Cause wrote:slucero wrote:What Cain says is right...Neal always wants to rock. Which is fine, but in the right context. There were hard rock Journey songs....that nobody listens to or you ever hear on the radio. They're filler songs on the albums. Hard rock isn't what Journey is.
scarab wrote:don't forget Edge of the Blade, the best Journey Rocker of the Steve Perry Era.
Back in the day I played this song to a metal head friend and he said he loved the song, then I told him who it was.
He was shocked.
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