Moderator: Andrew
...and then current singer Arnel Pineda, a partnership that seems to have finally got the group back on track with fans — and, belatedly, with the Billboard charts.
FamilyMan wrote:Also completely unfair to dismiss the entire Augeri-era catalog in favor of only "We Will Meet Again," which to me isn't a particularly memorable tune.
FamilyMan wrote:Also completely unfair to dismiss the entire Augeri-era catalog in favor of only "We Will Meet Again," which to me isn't a particularly memorable tune. I for one though Augeri's gift was that he was able to allow the band to rock again, in a way that Perry - in his older ballad-obsessed days - no longer was willing to.
Archetype wrote:FamilyMan wrote:Also completely unfair to dismiss the entire Augeri-era catalog in favor of only "We Will Meet Again," which to me isn't a particularly memorable tune. I for one though Augeri's gift was that he was able to allow the band to rock again, in a way that Perry - in his older ballad-obsessed days - no longer was willing to.
You're saying that Message of Love, One More and Castles Burning don't rock?
JourneyHard wrote:The problem with Arrival was too many songs. So, how did they solve this problem? They added two more songs!
STORY_TELLER wrote:The problem with Arrival was Augeri. Good songs but mostly in the vein of Bad English. I could see John Waite sounding great on a lot of the rockers.
Augeri never could sing a ballad. He's not that guy, but the fact is, his vocal peak was with Tall Stories. He did not have the chops to hang with Neal and Jon.
They should have spent more time auditioning other singers. They needed a pitch perfect singer in the Michael Bolton or Eric Martin power range. Sorry, but Augeri was never that class of singer.
The_Noble_Cause wrote:STORY_TELLER wrote:The problem with Arrival was Augeri. Good songs but mostly in the vein of Bad English. I could see John Waite sounding great on a lot of the rockers.
Augeri never could sing a ballad. He's not that guy, but the fact is, his vocal peak was with Tall Stories. He did not have the chops to hang with Neal and Jon.
They should have spent more time auditioning other singers. They needed a pitch perfect singer in the Michael Bolton or Eric Martin power range. Sorry, but Augeri was never that class of singer.
This is harsh. Say what you will, but I think Augeri sounds great on the Arrival album. I think Bolton would have been a way to carry the band forward in a different direction like Hagar with Van Halen. People forget that Bolton's The Hunger was produced by Neal/Jon and some of the material is Journeyish. If they wanted to continue without breaking the mold, than either Kevin Chalfant or Mickey Thomas was the guy.
The_Noble_Cause wrote:STORY_TELLER wrote:The problem with Arrival was Augeri. Good songs but mostly in the vein of Bad English. I could see John Waite sounding great on a lot of the rockers.
Augeri never could sing a ballad. He's not that guy, but the fact is, his vocal peak was with Tall Stories. He did not have the chops to hang with Neal and Jon.
They should have spent more time auditioning other singers. They needed a pitch perfect singer in the Michael Bolton or Eric Martin power range. Sorry, but Augeri was never that class of singer.
This is harsh. Say what you will, but I think Augeri sounds great on the Arrival album. I think Bolton would have been a way to carry the band forward in a different direction like Hagar with Van Halen. People forget that Bolton's The Hunger was produced by Neal/Jon and some of the material is Journeyish. If they wanted to continue without breaking the mold, than either Kevin Chalfant or Mickey Thomas was the guy.
The_Noble_Cause wrote:STORY_TELLER wrote:The problem with Arrival was Augeri. Good songs but mostly in the vein of Bad English. I could see John Waite sounding great on a lot of the rockers.
Augeri never could sing a ballad. He's not that guy, but the fact is, his vocal peak was with Tall Stories. He did not have the chops to hang with Neal and Jon.
They should have spent more time auditioning other singers. They needed a pitch perfect singer in the Michael Bolton or Eric Martin power range. Sorry, but Augeri was never that class of singer.
This is harsh. Say what you will, but I think Augeri sounds great on the Arrival album. I think Bolton would have been a way to carry the band forward in a different direction like Hagar with Van Halen. People forget that Bolton's The Hunger was produced by Neal/Jon and some of the material is Journeyish. If they wanted to continue without breaking the mold, than either Kevin Chalfant or Mickey Thomas was the guy.
STORY_TELLER wrote:The_Noble_Cause wrote:STORY_TELLER wrote:The problem with Arrival was Augeri. Good songs but mostly in the vein of Bad English. I could see John Waite sounding great on a lot of the rockers.
Augeri never could sing a ballad. He's not that guy, but the fact is, his vocal peak was with Tall Stories. He did not have the chops to hang with Neal and Jon.
They should have spent more time auditioning other singers. They needed a pitch perfect singer in the Michael Bolton or Eric Martin power range. Sorry, but Augeri was never that class of singer.
This is harsh. Say what you will, but I think Augeri sounds great on the Arrival album. I think Bolton would have been a way to carry the band forward in a different direction like Hagar with Van Halen. People forget that Bolton's The Hunger was produced by Neal/Jon and some of the material is Journeyish. If they wanted to continue without breaking the mold, than either Kevin Chalfant or Mickey Thomas was the guy.
I know you're a fan of his and I'm not trying to be insulting, but look, he's a super nice guy. A real sweetheart of a person. Anyone would be fortunate to have him as a friend in their life. Sorry, but I was never a fan of him in Journey. Not looking to sugar coat it. I wanted to be. I saw them in their first tour at the Beacon in Manhattan. I bought Arrival and every other album since to support the band. I was simply NOT impressed at all by Augeri -- ever. I loved the tall stories album, but everything else I've heard from Augeri has been weak by comparison (to me). The songs on Arrival would have been much better sung by a vocalist with a stronger skill set. It was simply the wrong match. Look, when your drummer has a better voice than your choice of lead singer... Come on. You're looking to replace Steve Perry here.
Both Chalfant and Thomas were/are stronger vocalists than Augeri. I brought up Bolton and Martin not as examples of vocal character or style, but as examples of the skill level needed to hang with the song writing and musicianship of Neal and Jon. All of the singers mentioned in this paragraph have stronger, more sophisticated vocals than Augeri.
Van Halen succeeded in replacing Roth because they went with a singer who, (a) they had musical chemistry with, and (b) was a MUCH STRONGER vocalist than Roth. The Doobie Bros. succeeded in replacing their lead with McDonald for the same reason. If you're a band with an established fan base, the change up of band members has to be impressive. Rolie to Cain was a step in a very different direction, but look at what Cain brought to the table.
Your new singer has to be a step UP, not down to be successful. In Perry's case, that's near impossible, but the wiser move would have been to gamble on someone with a different but just as powerful sound. Someone who could sing the back catalogue in their own way. Bolton would have been tremendous. I think Eric Martin would have been an interesting choice as well. Both are perfect pitch singers. (as are Perry and Freddy Mercury)
Sorry, but Augeri was just the wrong choice.
tj wrote:Perry set the standard musically for Journey singers, no question, and no one else would ever have been able to match up. Bolton, Thomas, Chalfant, Augeri, JSS, Arnel, it doesn't matter. The comparisons are a no win situation.
Saying that Augeri was the wrong choice assumes that there was a better choice available at the time. Were there better singers? Undoubtedly. But were they available, a good fit with the personality chemistry of the reconstructed band, wanting to live in the Perry shadow, wanting to tour extensively to rebuild the brand, etc.? You have to choose from the best option available in front of you at the time. I think that Augeri was that guy.
STORY_TELLER wrote:His voice gave out on him DURING the audition. I think he was just the easiest and fastest choice available.
The_Noble_Cause wrote:STORY_TELLER wrote:His voice gave out on him DURING the audition. I think he was just the easiest and fastest choice available.
I respect your opinion and agree with much of what you're saying, but I don't think this is accurate. Augeri requested time to get his voice in shape prior to auditioning. It was also reported that Shirley pushed him to the limits during the recording of Arrival and that maybe he injured something. But I never heard that he blew out his pipes during the audition. When Neal and Jon auditioned Steve A, he had a great voice. But he was not conditioned to the rigors of touring. Pretty soon he was in the raw.
STORY_TELLER wrote:John West (Royal Hunt) also auditioned around the same time and he made mention in an interview that Augeri's voice went down during the audition, but they still went with him. I'm paraphrasing of course, but that's what I'm basically quoting when I say that. I didn't make it up, I swear.
"I asked singer John West about his audition for Journey in 1998, when the guys were looking for a replacement for Steve Perry.
He replied and gave me the ok to print this here. I think it is a very interesting insight with some parallels to today:
"I did try out for Journey in 1998.
I made some recordings in NY of me doing Journey covers and sent it to the guys.
They invited me to Jonathan Cain's home studio in California to meet and do some more recordings. Neal and Jonathan were there and we got along good and the recordings came out excellent.
Neal really dug it, but Jonathan thought it didn't sound enough like Steve Perry. Neal said This is the new sound of Journey....with John West singing it's more powerful, and soulful!
I was one of the top candidates for the gig, but eventually they went with Steve Augeri. He was a dead ringer for Perry in voice, looks, and even name!
Although at the time, he was having problems with losing his voice, they decided to go with him and hope his voice would get stronger with time. Apparently he had been working a day job and not doing much singing at that point."
STORY_TELLER wrote:I'm not sure where I read it, but I also remember something about the 2001 DVD pro-tooled or vocals replaced after the fact or something? That's pretty early on to have problems.
STORY_TELLER wrote:My contention is that he was the wrong voice from the get go.
The_Noble_Cause wrote:And Andrew later confirmed in the very same thread that Augeri did not lose his voice in the audition. What West was saying was that Augeri had fallen off the face of the planet working for the GAP and had to get his voice back into shape. By all accounts, SA's audition landed him the job.
The_Noble_Cause wrote:Herbie Herbert said this in an interview with Andrew. Kevin Shirley has also stated this off-the-record. The DVD was filmed in 2000. Augeri joined in 1998. Like I said, he found himself in the raw pretty quickly.
The_Noble_Cause wrote:Augeri burned out fast. Nobody disputes that. But your contention is that he was not a contender from the start, which is inaccurate. Great voice, great frontman.
STORY_TELLER wrote:Either way, obviously his audition landed him the job. I don't understand why you said that? lol...
STORY_TELLER wrote:Having said that, they still ended up going with a vocalist who wasn't any place near as strong a singer as their own drummer! Come on, that should be an obvious clue.
STORY_TELLER wrote:You should hold out for someone comparable, not settle for less. Not when you're replacing Steve Perry.
STORY_TELLER wrote:The_Noble_Cause wrote:STORY_TELLER wrote:His voice gave out on him DURING the audition. I think he was just the easiest and fastest choice available.
I respect your opinion and agree with much of what you're saying, but I don't think this is accurate. Augeri requested time to get his voice in shape prior to auditioning. It was also reported that Shirley pushed him to the limits during the recording of Arrival and that maybe he injured something. But I never heard that he blew out his pipes during the audition. When Neal and Jon auditioned Steve A, he had a great voice. But he was not conditioned to the rigors of touring. Pretty soon he was in the raw.
John West (Royal Hunt) also auditioned around the same time and he made mention in an interview that Augeri's voice went down during the audition, but they still went with him. I'm paraphrasing of course, but that's what I'm basically quoting when I say that. I didn't make it up, I swear.
I'm not sure where I read it, but I also remember something about the 2001 DVD pro-tooled or vocals replaced after the fact or something? That's pretty early on to have problems. I also remember one of their early promotional performances being broadcast live on some morning news channel live from rockefeller center in NYC. Augeri was pitchy and off key left right and center throughout.
It's a tough thing to deal with once the guy is in the band. I mean you like the guy personally and you're stuck with this rock and a hard place. My contention is that he was the wrong voice from the get go. I think the band were so taken with the fact that here's this great guy with an eerily similar timbre to Perry, and in comparison to the other auditions, he must have sounded like the obvious choice. The problem with that is, when you choose someone who sounds similar to your original lead singer, you're inviting comparisons, and Augeri was never Perry's vocal equal in any respect other than he's a tenor with a similar timbre, so you're setting yourself up to fail by comparison.
Hind sight is of course 20/20, but if I was in that room, my choice would have been to keep auditioning. As labored and tiring as that may be, it would have been worth it.
The_Noble_Cause wrote:STORY_TELLER wrote:Either way, obviously his audition landed him the job. I don't understand why you said that? lol...
Because Neal, Jon, and Steve Augeri all say he killed at the audition. Give Neal & Jon a shred of a credit. The idea that SA blew the audition, like William Hung on American Idol or something, and the band went "Yup. He's our guy" is just dumb.STORY_TELLER wrote:Having said that, they still ended up going with a vocalist who wasn't any place near as strong a singer as their own drummer! Come on, that should be an obvious clue.
This doesn't mean anything. Before they went with SP for Trial by Fire, the band was working with Chalfant. You could argue that Deen was a stronger option than Perry in 1996. Maybe better than KC too. Deen has a large range, but also has had issues with his voice on and off. If he sang the entire set nightly like SA did starting out, he too would probably be fried.STORY_TELLER wrote:You should hold out for someone comparable, not settle for less. Not when you're replacing Steve Perry.
Neither Augeri, JSS, or Arnel reach this standard.
STORY_TELLER wrote:Ok, now you're just throwing exaggerations out there --
STORY_TELLER wrote:It's about vocal character, vocal qualities -- EAR CANDY (as Herbie so perfectly said of Perry).
STORY_TELLER wrote:An example would be Sammy Hagar and David Coverdale sharing the same stage, singing the same song. Both great singers, but I think it's pretty obvious who has the more engaging sound.
STORY_TELLER wrote:Now can you honestly tell me that between Augeri and Deen, that Deen doesn't have a more attractive sound to his voice than Augeri? That his chords aren't simply the more sophisticated instrument of the two?
STORY_TELLER wrote:I'm sorry, but IMO, that sure wasn't Augeri. You're entitled to your opinion, but I think the guy was a decent singer at his best. I think he was the wrong guy because he wasn't a great singer to begin with. To follow Perry you need to be something special in your own right. There was never anything special about Augeri. Sorry, but that's my opinion. No reason for you to take it personally dude.![]()
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tj wrote:I think that the catalog is a killer of voices over time.
JourneyHard wrote:tj wrote:I think that the catalog is a killer of voices over time.
This is why Neal needs to jam during concerts and give the singer a break. They need to work the dirty dozen around some rocking instrumentals. Why does Vortex have to be a separate concert? Neal should be doing stuff off of Vortex at Journey concerts to let Arnel save his voice.
tater1977 wrote:Thought that's why they hired a new keyboard/singer for this tour
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