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FamilyMan wrote: This is the draw for SoulSikUS stuff that no one who's a fan of Journey really wants much more of.
The_Noble_Cause wrote:FamilyMan wrote: This is the draw for SoulSikUS stuff that no one who's a fan of Journey really wants much more of.
Ooof.![]()
You are really the king of bullshit blanket statements. Soul Sirkus had a few heavy tracks but was not metal. There was a lot of melodic and soulful influences as well. On one track, "Coming Home", JSS was pretty much emulating Perry. So I really have no idea what you are talking about. I would take another Sirkus album over Revelation any day. I think the Schon/Waite/Deeno project sounds awesome.
Also, Deen's presence does not automatically turn material into Black Sabbath. Nonsense. He just did work for Cain's Jesus music and filled in for Night Ranger.Go listen to any of the Bad English records. Or Rev Saints. He likes to play heavy but lays down what the music requires.
FamilyMan wrote:The_Noble_Cause wrote:FamilyMan wrote: This is the draw for SoulSikUS stuff that no one who's a fan of Journey really wants much more of.
Ooof.![]()
You are really the king of bullshit blanket statements. Soul Sirkus had a few heavy tracks but was not metal. There was a lot of melodic and soulful influences as well. On one track, "Coming Home", JSS was pretty much emulating Perry. So I really have no idea what you are talking about. I would take another Sirkus album over Revelation any day. I think the Schon/Waite/Deeno project sounds awesome.
Also, Deen's presence does not automatically turn material into Black Sabbath. Nonsense. He just did work for Cain's Jesus music and filled in for Night Ranger.Go listen to any of the Bad English records. Or Rev Saints. He likes to play heavy but lays down what the music requires.
I think you're in the minority. Walk into any Journey show and ask the crowd if they've heard of SS. These are vanity projects for Neal which distract him and cost the band valuable time which should be spent writing. Schon/Hammer was the first one, and Herbie was spot on. He would rue the day...
FamilyMan wrote:Not in love with this idea.
First of all -- it wasn't all that long ago that John Waite sullied the name Journey, calling it "super-white" music or whatever he said. This also feels like a direct F-You to Cain - working with Waite. It feels like sleeping with your wife's ex-best friend, doesn't it?
And Deen...
Deen brings out the worst in Neal, I think. Deen's first and foremost a metal head. This is the draw for SoulSikUS stuff that no one who's a fan of Journey really wants much more of.
"Journe"y needs an intervention. To keep "Journey" together. Being around these other guys will only make things worse.
Archetype wrote:I think it has potential. Bad English ended too soon, and this could be a revival of it.
JourneyHard wrote:Why is there a beef between Cain and Waite? Is Waite angry that Cain left to join Journey? Or is this much more recent?
Also, I'd rather have another Soul Sirkus album than another Bad English album. Soul Sirkus is what Journey should have become. The songs had energy in them and were cool to listen to; you know kinda like Journey back in Frontiers and before.
Journey/Survivor wrote:JourneyHard wrote:Why is there a beef between Cain and Waite? Is Waite angry that Cain left to join Journey? Or is this much more recent?
Also, I'd rather have another Soul Sirkus album than another Bad English album. Soul Sirkus is what Journey should have become. The songs had energy in them and were cool to listen to; you know kinda like Journey back in Frontiers and before.
Waite pulled a lot of crap that screwed the rest of Bad English over back when they were in the studio recording their second album.
Really, it's Schon who has the most right to be pissed at Waite based on everything that I heard at the time. I guess that Cain holds a grudge longer than Schon?
Waite was erasing a lot of the guitar work that Schon had recorded for the album.
JourneyHard wrote:Why is there a beef between Cain and Waite? Is Waite angry that Cain left to join Journey? Or is this much more recent?
Also, I'd rather have another Soul Sirkus album than another Bad English album. Soul Sirkus is what Journey should have become. The songs had energy in them and were cool to listen to; you know kinda like Journey back in Frontiers and before.
The_Noble_Cause wrote:JourneyHard wrote:Why is there a beef between Cain and Waite? Is Waite angry that Cain left to join Journey? Or is this much more recent?
Also, I'd rather have another Soul Sirkus album than another Bad English album. Soul Sirkus is what Journey should have become. The songs had energy in them and were cool to listen to; you know kinda like Journey back in Frontiers and before.
Exactly. There was a vibrancy and contemporary quality to Sirkus. Also there was no limits. They could do aor, soul, rock etc.
Journey/Survivor wrote:Archetype wrote:I think it has potential. Bad English ended too soon, and this could be a revival of it.
I've thought many times that a Bad English reunion with or without Jonathan Cain would be awesome.
Get Waite, Schon, Castronovo, Phillips and make a new Bad English album. If Cain will do it, awesome. If not, then get someone like Alan Fitzgerald, Tim Gorman, Doug Johnson, Jim Peterik, Alan Pasqua, etc, etc on keyboards.
Archetype wrote: I'm expecting Deen, John and Neal and two new guys if it is Bad English sort of project
The_Noble_Cause wrote:Archetype wrote: I'm expecting Deen, John and Neal and two new guys if it is Bad English sort of project
At this point, I think starting a new band with Jon is the farthest thing from Schon's mind.
JourneyHard wrote:What about getting Hardline back together?
If Jon leaves Journey, I wonder if Neal will start mixing up set list at Journey shows and include a Hardline song once in awhile. Maybe a Soul Sirkus song, too. It could be a big surprise going to Journey concerts!
Hollywood wrote:What I think would be interesting is John Waite/Glen Burtnik/Neal Schon. I've wanted this for years. They've all worked together at different times just never all 3 at the same time.
Schon's sense of melody, Waite's unique voice and phrasing, and Burtnik's songwriting and sense of harmony would make for a great record. Just need a drummer and maybe keys. If you get super bluesy a B3 player would be great.
Hollywood wrote:None of this will happen. If Journey still wants to exist in a relevant manner they have to stick with what works. It has been proven they begin to struggle business wise immediately when they deviate from the script.
The_Noble_Cause wrote:Hollywood wrote:None of this will happen. If Journey still wants to exist in a relevant manner they have to stick with what works. It has been proven they begin to struggle business wise immediately when they deviate from the script.
Be specific. "Arrival" was packed with Trial By FIre-style ballads and it was not a hit.
Hollywood wrote:Getting radio play and selling records for a legacy act like Journey is very hard nowadays. I loved Arrival and thought it deserve a bigger stage, but it didn't happen.
Since 1998, the script for Journey is to spend most summers packaging up with one or two other band and hit the big sheds. In the off seasons pick up high paying casino and private gigs. And when you play.... play the hits.
Hollywood wrote:At the start of the Generations tour the band, led by Neal played quite a few songs from Generations. The audience feedback was swift and sharply negative and Jon had to step in and point the band back to playing a more hit laden set. That tour was besieged with poor reviews even after the change. The general public just didn't get it and they didn't draw well. Plus, Augeri was really struggling.
Hollywood wrote:Journey will always be a draw. They could, at anytime since 1998, attempted to make Journey a evolving band and they tried with Eclipse, but they are unwilling to do what it takes. When Eclipse was released they could have a grabbed a smaller opening act with a little modern edge like Collective Soul, Our Lady Peace, or maybe Tesla, then played smaller venues and committed to playing the bulk of the new material it could give the new direction a shot. You still play the hits. The band would alienate a lot of the current fanbase, but some may come around and maybe they would get a new following. This is a huge gamble, but could work. It would result in taking a monetary hit that you most likely would never get back.
Hollywood wrote:Speaking for myself only, I want bands that play new material, take chances, vary setlists, play classic albums live, and generally work hard to please fans.
Archetype wrote:Neal posted on Facebook that this project will not be Bad English themed in the slightest.
Archetype wrote:Journey/Survivor wrote:JourneyHard wrote:Why is there a beef between Cain and Waite? Is Waite angry that Cain left to join Journey? Or is this much more recent?
Also, I'd rather have another Soul Sirkus album than another Bad English album. Soul Sirkus is what Journey should have become. The songs had energy in them and were cool to listen to; you know kinda like Journey back in Frontiers and before.
Waite pulled a lot of crap that screwed the rest of Bad English over back when they were in the studio recording their second album.
Really, it's Schon who has the most right to be pissed at Waite based on everything that I heard at the time. I guess that Cain holds a grudge longer than Schon?
Waite was erasing a lot of the guitar work that Schon had recorded for the album.
From what I can observe about Neal and Jon's personalities, it would make sense that Jon would hold grudges and Neal would let things go. The "born again" types are almost always holier than thou egotistical pricks. It's like a prerequisite to becoming evangelical.
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