JeremyP wrote:Carlitto H@kk wrote:With all the tweaking, editing and corrections you can make in ProTools, you can make a decent singer sound amazing...
Listen to any recent recordings of someone like Vince Neil

As for it purely being for Post-Production...
Exactly...
as in 'canned vocals' for a 'live' performance...
Completely agree. And might I add that Autotune is used way waaaaay to too much in today's pop music. Bleh.
Absolutely.
And I am not just talking about Autotune or Pitch correction.
With pretty much ANY mid-range DAW system, you can do amazing things.
Take 'looping' for instance.
You can loop a section of a song and lay down 50 takes of the same verse then go back
and pick-and-choose, splice-and-edit the runs that sound good.
Some folks, like your Ashleys, Lohans and Hiltons need to do this so they can
get a take that actually sounds decent enuff to put to record.
Others, like Maynard (he is famous for this in the studio), will do 10-20 takes of the same line or verse, changing up the way he sings it each time, to find a take that
'He' is happy with
.
You can hear this kind of stuff all over Arrival and Generations.
Take one of my faves from Arrival, "Live and Breathe"...
At around the 4:30 mark you hear Augeri sing the phrase,
"We found the sun, in you I live and breathe" for the last time.
This has ALWAYS been one of my favoriyte Augeri vocal runs.
But if you listen close, and I was dismayed when I noticed this, you can hear that
"We found the sun" is one take and
"In you I live and breathe" is a totally seperate take edited in.
You know Perry could've knocked that run out in one, seemless take back in the day.
I'm sure Jeff could it too, Chalfant as well.
DAWs, whether ProTools or Sonar or Ableton, are awesome recording programs but some of the
available 'tools' are widely over-used and have made it easy for a medicore musician to sound really good.