heardonthestreet wrote:Jackson contributed to it's being a fine album, like it or not.
Ick...Personally, I feel Jackson's best work is his work on American Idol...
...go ahead and ask me what I think of American Idol

Moderator: Andrew
heardonthestreet wrote:Jackson contributed to it's being a fine album, like it or not.
strangegrey wrote:heardonthestreet wrote:Jackson contributed to it's being a fine album, like it or not.
Ick...Personally, I feel Jackson's best work is his work on American Idol...
...go ahead and ask me what I think of American Idol....go ahead...I dare ya!
heardonthestreet wrote:Red13JoePa wrote:I know Smitty admitted it in that one article, but I say it's after the fact spin doctoring to help all save face.
Perry coerced the other 2 into clipping Valory (big mistake for ROR's sound) and Smitty.
You can't know that.
ROR is what it is regardless of circumstances surrounding it's making. It does have a sound all it's own which makes it a special Journey album. It is what it is. Jackson contributed to it's being a fine album, like it or not.
Red13JoePa wrote:heardonthestreet wrote:Red13JoePa wrote:I know Smitty admitted it in that one article, but I say it's after the fact spin doctoring to help all save face.
Perry coerced the other 2 into clipping Valory (big mistake for ROR's sound) and Smitty.
You can't know that.
ROR is what it is regardless of circumstances surrounding it's making. It does have a sound all it's own which makes it a special Journey album. It is what it is. Jackson contributed to it's being a fine album, like it or not.
What about the behind the music with SP's "Boy I had to have it" and "in hindsight maybe it wasn't the best move" comments pertaining the dismissal of Valory and Smith?
I guess it worked mmmm, let's say, ALRIGHT for ROR, but they NEEDED those 2 back to pull of TBF. No question.
I would lie to God himself, had I been forced to have had to fuck you. I would then go purchase a revolver and kill myself.heardonthestreet wrote:
All men lie to save face!
PROPERRY wrote:I liked Randy's contribution to Journey, as well as his contribution to "Street Talk" too.
Red13, please take the dildo out of my ass JoePa wrote:
What about the behind the music with SP's "Boy I had to have it" and "in hindsight maybe it wasn't the best move" comments pertaining the dismissal of Valory and Smith?
Joepa-shitforbrains wrote:I guess it worked mmmm, let's say, ALRIGHT for ROR, but they NEEDED those 2 back to pull of TBF. No question.
RockinDeano wrote:I would lie to God himself, had I been forced to have had to fuck you. I would then go purchase a revolver and kill myself.heardonthestreet wrote:
All men lie to save face!
I hate you HOTS.
saint John wrote:Raised on Radio is a good Journey album.
The band's intense touring schedule changed Perry's voice and he probably felt more comfortable doing an album like ROR.
His roots are much moreso in r&b then what Journey traditionally played. It was simply his turn to do an album the way HE wanted to.
Besides, people were jerking off all over themselves when Jeff sang IBAWY during the last tour, so the music IS still wanted. BGTY is a concert staple for the most part.
And remember this....that intense touring schedule made Journey a touring band that released albums, NOT the other way around.
Journey concerts became an event in and of itself. Because of THAT, the reigns were handed to Steve Perry, not taken by him as many assert. He became the band's most important part because of this. His "control" was given to him because Herbert wanted to play almost every damn night.
I still hear several of those songs all of the time, so it HAS withstood the test of time.
RockinDeano wrote:saint John wrote:Raised on Radio is a good Journey album.
No it's not. Here's proof of that. They were at the height (still) of musics' pinnacle and that effort only went 2X Platinum..barely.
Raised on Radio is a good Steve Perry and Jon Cain album. I call it Simon and Garfriga.The band's intense touring schedule changed Perry's voice and he probably felt more comfortable doing an album like ROR.
Nope, nice try. I have the interview by Perry himself. ROR is different because has SP stated in this interview, "Journey needed to make some changes..They needed to go in a different direction." Translated= Street Talk 2, with a much better guitarist was coming.His roots are much moreso in r&b then what Journey traditionally played. It was simply his turn to do an album the way HE wanted to.
I like his roots but their songs before that were also inspired by R+B. Listen to Separate Ways. That song is the same as The Four Tops' Sugar Pie Honey Bunch, but with an added crunchy guitar chug.Besides, people were jerking off all over themselves when Jeff sang IBAWY during the last tour, so the music IS still wanted. BGTY is a concert staple for the most part.
Jerking off to IBAWY because the song fits Soto so well and also it is a good song that hasn't been played in a decade. BGTY, a concert staple? You will most likely never hear this one live ever again.And remember this....that intense touring schedule made Journey a touring band that released albums, NOT the other way around.
What? Intense? Not hardly. From 1981-1986, they toured 3 years. Escape, Frontiers and ROR. Compare that to 2001-2006, they toured EVERY year.Journey concerts became an event in and of itself. Because of THAT, the reigns were handed to Steve Perry, not taken by him as many assert. He became the band's most important part because of this. His "control" was given to him because Herbert wanted to play almost every damn night.
Yep, Journey shows were the talk of the town where the Journey train pulled into, however, at this time, Perry was calculating his pending departure(ROR Tour). He knew it was over in 86. He was very controlling and manipulative. So was HH, but HH was the Manager. I do think Perry should have had the most control, because as we have just learned, the singer is the most important factor regarding a tour. Augeri had NO balls and wouldn't stand up for himself. Perry did. Soto does/will. Neal and Mgt will listen if the singer is adamant about the schedule enough.I still hear several of those songs all of the time, so it HAS withstood the test of time.
Well, playing the ROR disc, you will definitely hear those songs, I can guarantee you that. Those songs are NOT on any radio station ever, not one.
RockinDeano wrote:saint John wrote:Raised on Radio is a good Journey album.
No it's not. Here's proof of that. They were at the height (still) of musics' pinnacle and that effort only went 2X Platinum..barely.
Raised on Radio is a good Steve Perry and Jon Cain album. I call it Simon and Garfriga.The band's intense touring schedule changed Perry's voice and he probably felt more comfortable doing an album like ROR.
Nope, nice try. I have the interview by Perry himself. ROR is different because has SP stated in this interview, "Journey needed to make some changes..They needed to go in a different direction." Translated= Street Talk 2, with a much better guitarist was coming.His roots are much moreso in r&b then what Journey traditionally played. It was simply his turn to do an album the way HE wanted to.
I like his roots but their songs before that were also inspired by R+B. Listen to Separate Ways. That song is the same as The Four Tops' Sugar Pie Honey Bunch, but with an added crunchy guitar chug.
Besides, people were jerking off all over themselves when Jeff sang IBAWY during the last tour, so the music IS still wanted. BGTY is a concert staple for the most part.
Jerking off to IBAWY because the song fits Soto so well and also it is a good song that hasn't been played in a decade. BGTY, a concert staple? You will most likely never hear this one live ever again.And remember this....that intense touring schedule made Journey a touring band that released albums, NOT the other way around.
What? Intense? Not hardly. From 1981-1986, they toured 3 years. Escape, Frontiers and ROR. Compare that to 2001-2006, they toured EVERY year.Journey concerts became an event in and of itself. Because of THAT, the reigns were handed to Steve Perry, not taken by him as many assert. He became the band's most important part because of this. His "control" was given to him because Herbert wanted to play almost every damn night.
Yep, Journey shows were the talk of the town where the Journey train pulled into, however, at this time, Perry was calculating his pending departure(ROR Tour). He knew it was over in 86. He was very controlling and manipulative. So was HH, but HH was the Manager. I do think Perry should have had the most control, because as we have just learned, the singer is the most important factor regarding a tour. Augeri had NO balls and wouldn't stand up for himself. Perry did. Soto does/will. Neal and Mgt will listen if the singer is adamant about the schedule enough.I still hear several of those songs all of the time, so it HAS withstood the test of time.
Well, playing the ROR disc, you will definitely hear those songs, I can guarantee you that. Those songs are NOT on any radio station ever, not one.
Shania wrote:
--- How exactly does this statement "Journey needed to make some changes.They needed to go in a different direction." translates into "Street Talk 2"?![]()
That was the usual statement they made with every album.If you know Journey's history,and you know it,you sure remember that they were trying (and succeeding) to change their approach with every new release.
It's true - ROR was a bigger change than the previous ones,and yeah,it was produced by Perry,but that's not a valid reason to call it ST2.
--- You cannot compare the touring schedule of the Perry era Journey with the Augeri era one.Please.Everyone knows what an absolutely insane schedule they had until 83,even 86!
The amount of shows between 2001 and 2006 is maybe close to the number of shows they did in 1 year and a half in the 80s.Big difference.
Journey was THE hardest touring band with SP at the helm,and yes,he blew his voice because of that.That,plus other things that were going on at the time ended the ROR Tour.
RockinDeano wrote:Shania wrote:
--- How exactly does this statement "Journey needed to make some changes.They needed to go in a different direction." translates into "Street Talk 2"?![]()
That was the usual statement they made with every album.If you know Journey's history,and you know it,you sure remember that they were trying (and succeeding) to change their approach with every new release.
It's true - ROR was a bigger change than the previous ones,and yeah,it was produced by Perry,but that's not a valid reason to call it ST2.
You are incapable of being honest. With Perry of course, a great CD. No, it was not great. You take out Neals guitar and ROR IS Sreet Talk 2.
--- You cannot compare the touring schedule of the Perry era Journey with the Augeri era one.Please.Everyone knows what an absolutely insane schedule they had until 83,even 86!
The amount of shows between 2001 and 2006 is maybe close to the number of shows they did in 1 year and a half in the 80s.Big difference.
Prove it. Hell the 86 tour was stopped halfway through! I bet you they toured more from 2001-to 2006 than the 3 80 tours. Look it up.
Journey was THE hardest touring band with SP at the helm,and yes,he blew his voice because of that.That,plus other things that were going on at the time ended the ROR Tour.
Other things? Like? Funny, didn't catch the "other things" in your book. Please elaborate.
Shania wrote:
And you are twisting things.Both Steve and Neal were into ROR,and we weren't there to see how many minutes each spent in the studio.
RockinDeano wrote:PROPERRY wrote:I liked Randy's contribution to Journey, as well as his contribution to "Street Talk" too.
And you, you dumb pathetic bitch. Anything with Perry is gold.I am about to flush you the fuck out of this place. I have done it before and will do it again.
RockinDeano wrote:Shania wrote:
And you are twisting things.Both Steve and Neal were into ROR,and we weren't there to see how many minutes each spent in the studio.
I'll only answer this, the opening statement to prove you wrong, yet again.
Neal was on record in an interview(sorry cannot cite this on memory), that
"Raised on radio was written by He and Jon and they used drum machines to do it. Friggin' drum machines."
That doesn't sound like a guy who "digs" ROR. Neal hates GCHI. Ask him. You will never hear that nor BGTY ever again, for different reasons.
Now personally, I believe BGTY is their best ever song. Crisp Keys, killer guitar chug and solo, tremendous vocals and brilliant harmonies. It has everything.
PROPERRY wrote:
Well I'm in agreement with you that "Anything Perry does is gold", but I still give credit to Randy for his part, just as I give Neal & Jon credit for their part too.
Shania wrote:
I am guessing that at least half of the fanbase digs ROR.Maybe not in its entireity,but 80% of it for sure.The other half just don't appreciate the change and consider it too drastic.
A matter of tastes,over and over again...
RockinDeano wrote:Shania wrote:
I am guessing that at least half of the fanbase digs ROR.Maybe not in its entireity,but 80% of it for sure.The other half just don't appreciate the change and consider it too drastic.
A matter of tastes,over and over again...
Well since you have mastered the art at polling, start one up.
I can guaranfuckintee you 80% will NOT say that ROR is in the top 1/3rd of their CD's(7 Perry studio CD's) I bet the average finish will be 4th or lower, maybe 5th or so.
Go ahead, fire it up. I already am doing the math. You won't get your 80%.
RockinDeano wrote:PROPERRY wrote:
Well I'm in agreement with you that "Anything Perry does is gold", but I still give credit to Randy for his part, just as I give Neal & Jon credit for their part too.
You just get dumber as the thread gets longer.
Baby I'm Leaving You is Perry and it's the furthest thing from gold ever. Trust me, he turned out some shit stuff too.
RockinDeano wrote:Bullshit. I know you are in a third world state, but there is a science called "methodology." It would most certainly pertain to the population here at Melodicrockland.
It's all how you ask the question. You Loons(yes you bitches are back but not for long), just want to keep Perry's name on the board. It is really sad. Lori, FATS, and Shania are first class Loons.
ohsherrie wrote:There was an interview by Steve Smith posted somewhere a while back. I can't remember where so I'm sure there are some who won't believe me, but in the interview he said the both he and Ross were having some personal problems at the time that contributed to the events that transpired around that album.
Face it, they were all having personal problem of one kind or another. I think Perry, Cain, Schon and Smith all had relationships that were ending or had just ended. I don't know what was happening with Ross, but I have some idea that I won't make a point for discussion on this board.
They probably shouldn't even have attempted to make an album at that time, but I suppose there was a lot of pressure to do so and that pressure probably only added to the stress.
It was a terrible time in their lives and in Journey's and I think it's pretty amazing that they were able to put together an album as great as ROR under the circumstances.
PROPERRY wrote: I can't be too dumb, Deano. I wasn't the one who got sucked in like you did by Augeri. I've always known Perry is the GREATEST singer and still IS in my opinion.
RockinDeano wrote:PROPERRY wrote: I can't be too dumb, Deano. I wasn't the one who got sucked in like you did by Augeri. I've always known Perry is the GREATEST singer and still IS in my opinion.
You DO have a point Lori! Nice work. I was duped, and tricked by that maggot. Hope he(Augeri) is straining his back stacking bricks at his neibourhood Lowes or Home depot.
I never once said Perry wasn't the best. People who know me know I love Perry.
Classic Rock wrote:Matthew, It seems like you slam Boston every time you get a chance. Now make no mistake about it I would choose Journey over Boston if I was forced to choose but they almost as good to me.
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