


They sound high & "Escape" era clear to my ears....so, why do people say he lost the "high end"...?
Anyone?
Bueller?
Moderator: Andrew
Gideon wrote:I don't think he lost it (he still hits some fairly high falsetto notes in "Anyway" circa '94), so much as it diminished. He was still a very high tenor, but due to age and overuse, I think it was much harder for him to hit.
Happy to Give is one of the best songs he has ever recorded.TRAGChick wrote:Gideon wrote:I don't think he lost it (he still hits some fairly high falsetto notes in "Anyway" circa '94), so much as it diminished. He was still a very high tenor, but due to age and overuse, I think it was much harder for him to hit.
Yes; you are correct....but what I mean is this:
People were all quick to say "Oh GOD - his voice is GRAVEL! What the hell HAPPENED??" on ROR.
BUT:
If you really listen to ALL the Vocals - he used the "Escape" vox on Backing Vox only.....wanted a different tonal sound on Front; got it....
Listening to "Happy To Give" right now on 'Phones (Time3 Disc) and to me, that's the overall "sound" he was going for.
journey361 wrote:Perry had said he intended to do just that in an interview i had read years ago. I can't remember where i read it from but certain things i do remember, that was one of them. Perry also stated he (Journey) recorded 3 songs in the bathroom from the Frontiers album, also he had stated he got up right from bed in the morning and went straight to the studio to record 2 tracks off ROR. For the rasp sound he intended to get.
He also felt back in the day that the resaon they and himself changed his overall sound (Voice) was on purpose so that the world would not get burnt out on the same tone or sound.
TRAGChick wrote::arrow: Listen to the backing Vox on "Once You Love Somebody"....listening to that Song right now on big-ass Studio Headphones.![]()
They sound high & "Escape" era clear to my ears....so, why do people say he lost the "high end"...?
Anyone?
Bueller?
Rockindeano wrote:TRAGChick wrote::arrow: Listen to the backing Vox on "Once You Love Somebody"....listening to that Song right now on big-ass Studio Headphones.![]()
They sound high & "Escape" era clear to my ears....so, why do people say he lost the "high end"...?
Anyone?
Bueller?
Come on Nora. You have got to be drunk to ask this question. He definitely lost some higher end on the ROR era vs the Escape era. My God, this was a studio session you heard, not live. They never played that song live.
SP would be the first to tell you he lost some high end from 83 on out. There's a reason Frontiers went to that "angular" sound and ROR live sounded a little rougher. It's not a bad thing at all, but it is true..SP lost some high end, no biggie.
Andrew wrote:Rockindeano wrote:TRAGChick wrote::arrow: Listen to the backing Vox on "Once You Love Somebody"....listening to that Song right now on big-ass Studio Headphones.![]()
They sound high & "Escape" era clear to my ears....so, why do people say he lost the "high end"...?
Anyone?
Bueller?
Come on Nora. You have got to be drunk to ask this question. He definitely lost some higher end on the ROR era vs the Escape era. My God, this was a studio session you heard, not live. They never played that song live.
SP would be the first to tell you he lost some high end from 83 on out. There's a reason Frontiers went to that "angular" sound and ROR live sounded a little rougher. It's not a bad thing at all, but it is true..SP lost some high end, no biggie.
I prefer his solo/deeper tone....ROR onwards...
Andrew wrote:Rockindeano wrote:TRAGChick wrote::arrow: Listen to the backing Vox on "Once You Love Somebody"....listening to that Song right now on big-ass Studio Headphones.![]()
They sound high & "Escape" era clear to my ears....so, why do people say he lost the "high end"...?
Anyone?
Bueller?
Come on Nora. You have got to be drunk to ask this question. He definitely lost some higher end on the ROR era vs the Escape era. My God, this was a studio session you heard, not live. They never played that song live.
SP would be the first to tell you he lost some high end from 83 on out. There's a reason Frontiers went to that "angular" sound and ROR live sounded a little rougher. It's not a bad thing at all, but it is true..SP lost some high end, no biggie.
I prefer his solo/deeper tone....ROR onwards....
Rockindeano wrote:Andrew wrote:Rockindeano wrote:TRAGChick wrote::arrow: Listen to the backing Vox on "Once You Love Somebody"....listening to that Song right now on big-ass Studio Headphones.![]()
They sound high & "Escape" era clear to my ears....so, why do people say he lost the "high end"...?
Anyone?
Bueller?
Come on Nora. You have got to be drunk to ask this question. He definitely lost some higher end on the ROR era vs the Escape era. My God, this was a studio session you heard, not live. They never played that song live.
SP would be the first to tell you he lost some high end from 83 on out. There's a reason Frontiers went to that "angular" sound and ROR live sounded a little rougher. It's not a bad thing at all, but it is true..SP lost some high end, no biggie.
I prefer his solo/deeper tone....ROR onwards....
Me too. I guess we are all starting to grow up a bit eh you old down under cocksucker?!
tammy wrote:Ya know how much I love his background vocals on that song.I don't get why a lot of fans dislike ROR (yeah, yeah, I know "too poppy", "no Smitty/Ross", drum track, etc."), but SP's vocals & emotion are top notch.
Jana wrote:tammy wrote:Ya know how much I love his background vocals on that song.I don't get why a lot of fans dislike ROR (yeah, yeah, I know "too poppy", "no Smitty/Ross", drum track, etc."), but SP's vocals & emotion are top notch.
I love his vocals and most of the songs. What I can't take and makes me skip through too many are the poppy arrangements with the bass and keyboard. Who knows maybe Neal too on some. I can't figure it out. I'm not a musician. But it ruins it for me on so many songs. It's not a pop sound in a good way. Much of it is in a dated way. It's a shame b/c I love his voice on here and the songs are good once I can get past some of that. I just have all the songs I love off there on my iPod.
Andrew wrote:Rockindeano wrote:TRAGChick wrote::arrow: Listen to the backing Vox on "Once You Love Somebody"....listening to that Song right now on big-ass Studio Headphones.![]()
They sound high & "Escape" era clear to my ears....so, why do people say he lost the "high end"...?
Anyone?
Bueller?
Come on Nora. You have got to be drunk to ask this question. He definitely lost some higher end on the ROR era vs the Escape era. My God, this was a studio session you heard, not live. They never played that song live.
SP would be the first to tell you he lost some high end from 83 on out. There's a reason Frontiers went to that "angular" sound and ROR live sounded a little rougher. It's not a bad thing at all, but it is true..SP lost some high end, no biggie.
I prefer his solo/deeper tone....ROR onwards....
journey361 wrote:SP voice was awesome in a way to me that is hard to define. Was it natural, did he build it up as he began his teenage years or did it just happen. I mean come on, i listen to Adam Lambert, so many rock singers for so many years and while their good and maybe even possibly great, i still can't get over Perry's voice, in every level. His sound and style are like no other. That's what i'm saying, i wish he would have even left Journey and started something different.
Rockindeano wrote:Andrew wrote:Rockindeano wrote:TRAGChick wrote::arrow: Listen to the backing Vox on "Once You Love Somebody"....listening to that Song right now on big-ass Studio Headphones.![]()
They sound high & "Escape" era clear to my ears....so, why do people say he lost the "high end"...?
Anyone?
Bueller?
Come on Nora. You have got to be drunk to ask this question. He definitely lost some higher end on the ROR era vs the Escape era. My God, this was a studio session you heard, not live. They never played that song live.
SP would be the first to tell you he lost some high end from 83 on out. There's a reason Frontiers went to that "angular" sound and ROR live sounded a little rougher. It's not a bad thing at all, but it is true..SP lost some high end, no biggie.
I prefer his solo/deeper tone....ROR onwards....
Me too. I guess we are all starting to grow up a bit eh you old down under cocksucker?!
tammy wrote:Ya know how much I love his background vocals on that song.I don't get why a lot of fans dislike ROR (yeah, yeah, I know "too poppy", "no Smitty/Ross", drum track, etc."), but SP's vocals & emotion are top notch.
weatherman90 wrote:It pains me when people complain about Perry's vocals on FTLOSM and the accompanying tour. The intent was not to try and replicate the Steve Perry of the late 70s and early 80s - it was to give birth to a brand new sounding Steve Perry, and that's exactly what was accomplished. He still reaches incredibly high notes on FTLOSM, but just in a new way.
journey361 wrote:I really don't know if there's any other singer in this world or any other worls for that matter who could have pulled off the richer, deeper, more appealing sound that Perry did as he started to change his overall tone. I think of all the acclaim he has received, that should be spoken with as golden trophy.
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