strangegrey wrote:steveo777 wrote:Chubby, I have never come into a thread and openly disagreed with you....until now. I've considered you a friend, but friends sometimes have to be honest with each other and call each other on their bullshit. While I admire your enthusiam for Arnel and Journey, saying your fanhood just began with Arnel is to completely disrespect the musical legacy (god I hate having to keep using that word) and the bandmembers. The foundation that got Arnel this job was layed down long ago. Were it not for each previous member of Journey making their contribution to this timeless catalog of music, Arnel would be doing something else today, I promise you. For other Pinoys who share the same attitude, again they are being disrepectful to the classic band and the current members as well. I don't know if they see it that way, but some of us non Pinoys sure take it that way. Pinoy pride is ok...so is American pride, but when misplaced so blatantly, it actually runs some fans off. Some of them are blind to a Journey before Arnel. They'd better understand that just as quickly as Arnel was hired, he could be returned back to where he was and there would still be a Journey. What would those who blame Journeys success on Arnel say then? I'd suggest that you take the time to develope yourself historically, so you're not running around posting, only understanding 10% of the big picture. Now that said, there is no debate for you to win here. You simply have too little knowlege and no case whatsoever. Why don't you try being a Journey fan for awhile.....all of it.![]()
I'm one of Arnel's biggest fans, but I've always been one of Journey's biggest fans first.
Stevo, Shit, I hate to use the word respect...again...
But you certainly earned a boatload with me on this post. This is what it's all about. A one in a million post.Blueskies wrote: So, Neal is not only protecting his work but the work of the artists the band has employed as well.....and protecting the bands investment in the consigned artwork which they've probably paid out quite a bit for over the years.
You do realize, of course, that the band has a recent history of stiffing its artists? IIRC, the guy who did the generations cover has yet to be paid in full for his work. It took me nearly an act of blackmail to get the band to pay me for constructing the online review system on its website....a system they used from pre-arrival straight through to generations!!!
So while, I understand your post and it's intent, you need to realize that you're singing out of your ass. Again, this goes back to a case of two thieves breaking into a museum and one calls the cops on the other, because the other got to the priceless art first.Michigan Girl wrote:Hmmmm, if this is the case then it's already been stated, You're a threat..shame on you!!!![]()
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Way to go MG!! That's the dirty little secret here.
And...no, I wont drag Hugo into this...(who's a damn good guy, so fuck all of you who just want to fight it out about him)
But the fact remains is that the ONLY thing that seperates Journey (with Arnel singing) and Evolution (with Hugo singing) is Adam, Lance and Les. The rest of the band is no more or less a tribute band than the real thing....
Neal needs to differentiate that. It's an agressive protection of his product/brand.....And that's a problem for any band out there that hires a singer culled from You Tube, a cover band or a tribute band. Not just Journey. What seperates Boston from a tribute act? What seperates Yes from a tribute act? What seperates Styx from one?
Seriously.....you take integral roles in these bands and replace them with shift workers from Lowes and Home Depot....and you're going to get people that find the brand differentiation hard to sort out...
Neal fucked up with Evolution. He would have been far better off if he shut the fuck up and tried to handle this quietly...but by making a case about it, he comes off looking like a crybaby bitch like Lars Ulrich....
There must be something in the water in San Francisco....